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Collection:
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ADJUNCT MODULE A: ITALIAN ART
LocalCollection
ADJUNCT MODULE A: ITALIAN ART
Collection
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Preferred Title:
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Loggia of Psyche
Work_PrefTitle
Loggia of Psyche
Preferred Title
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Alternate Title:
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Loggia di Psiche
Work_AltTitle
Loggia di Psiche
Alternate Title
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Image View:
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Spandrel of Cupid and the Three Graces
Image_Title
Spandrel of Cupid and the Three Graces
Image View
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Creator:
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Giovanni da Udine (Italian painter, 1487-1564); Giovanni Francesco Penni (Italian painter, ca. 1496-ca. 1528); Giulio Romano (Italian painter, 1499-1546); Raphael (Italian designer, 1483-1520), and workshop
Agent_Display
Giovanni da Udine (Italian painter, 1487-1564); Giovanni Francesco Penni (Italian painter, ca. 1496-ca. 1528); Giulio Romano (Italian painter, 1499-1546); Raphael (Italian designer, 1483-1520), and workshop
Creator
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Location:
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repository: Villa Farnesina (Rome, Lazio, Italy)
Work_Location_Type_D isplay
repository: Villa Farnesina (Rome, Lazio, Italy)
Location
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Location Note:
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Via della Lungara, 230
Work_LocationNotes
Via della Lungara, 230
Location Note
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GPS:
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41.893611 12.4675
GPS
41.893611 12.4675
GPS
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Date:
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ca. 1517-1518 (creation)
Work_DateDisplay
ca. 1517-1518 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Mannerist (Renaissance-Baroque style)
Work_StylePeriodDisp lay
Mannerist (Renaissance-Baroque style)
Style Period
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Work Type 1:
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fresco (painting)
Work_Worktype1
fresco (painting)
Work Type 1
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Work Type 2:
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loggia
Work_Worktype2
loggia
Work Type 2
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Classification:
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painting
Work_Classification
painting
Classification
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Material:
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pigment on plaster
Work_MaterialDisplay
pigment on plaster
Material
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Technique:
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fresco painting (technique)
Work_Technique
fresco painting (technique)
Technique
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Description:
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Raphael conceived the fresco decoration of the entrance loggia ceiling, which suggests an illusion of an open garden pergola with faux tapestries of the Council of the Gods and the Wedding Banquet of Cupid and Psyche (ca. 1517-1518) suspended overhead. In the side vaults are scenes from the legend of Psyche (taken from Golden Ass of Apuleius, 2nd century CE) and representations of amoretti holding emblems of the gods; Raphael probably also intended that the lunettes of the loggia be frescoed. The execution was left largely to pupils, with various portions attributed to Giulio Romano (spandrels), Giovanni da Udine (the plant festoons and birds), Raffaello dal Colle and Giovanni Francesco Penni. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
Raphael conceived the fresco decoration of the entrance loggia ceiling, which suggests an illusion of an open garden pergola with faux tapestries of the Council of the Gods and the Wedding Banquet of Cupid and Psyche (ca. 1517-1518) suspended overhead. In the side vaults are scenes from the legend of Psyche (taken from Golden Ass of Apuleius, 2nd century CE) and representations of amoretti holding emblems of the gods; Raphael probably also intended that the lunettes of the loggia be frescoed. The execution was left largely to pupils, with various portions attributed to Giulio Romano (spandrels), Giovanni da Udine (the plant festoons and birds), Raffaello dal Colle and Giovanni Francesco Penni. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Adjunct Module A: Italian Art
LocalCollection
Adjunct Module A: Italian Art
Collection
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Identifier:
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7A1-RS-CP5-CTG-A05
Image_OriginalVendor ID
7A1-RS-CP5-CTG-A05
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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