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Collection:
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ADJUNCT MODULE A: ITALIAN ART
LocalCollection
ADJUNCT MODULE A: ITALIAN ART
Collection
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Preferred Title:
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Bust of Hadrian wearing Chlamys
Work_PrefTitle
Bust of Hadrian wearing Chlamys
Preferred Title
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Image View:
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Overall view on pedestal (with black background)
Image_Title
Overall view on pedestal (with black background)
Image View
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Creator:
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unknown (Roman (ancient))
Agent_Display
unknown (Roman (ancient))
Creator
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Location:
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repository: Museo Archeologico Nazionale (Naples, Campania, Italy) 6069
Work_Location_Type_D isplay
repository: Museo Archeologico Nazionale (Naples, Campania, Italy) 6069
Location
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Location Note:
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Piazza Museo Nazionale, 19; former Farnese collection
Work_LocationNotes
Piazza Museo Nazionale, 19; former Farnese collection
Location Note
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GPS:
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40.8534 14.2505
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Date:
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132-138 CE (creation)
Work_DateDisplay
132-138 CE (creation)
Date
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Cultural Context:
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Roman (ancient)
Work_Culture
Roman (ancient)
Cultural Context
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Style Period:
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Imperial (Roman)
Work_StylePeriodDisp lay
Imperial (Roman)
Style Period
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Work Type 1:
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sculpture (visual work)
Work_Worktype1
sculpture (visual work)
Work Type 1
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Classification:
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sculpture
Work_Classification
sculpture
Classification
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Material:
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marble
Work_MaterialDisplay
marble
Material
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Technique:
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carving (processes)
Work_Technique
carving (processes)
Technique
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Description:
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From the former Farnese collection, this bust of Hadrian shows him wearing the Greek chlamys (cloak) to emphasize his love for Greek culture. It was normally pinned with a fibula at the right shoulder, as it is here. It continued to be worn, in a longer form, by emperors into the Byzantine period. Hadrian's portrait busts transformed the style of Roman sculpture, creating a taste for fluid forms and ornately curled beards and hair which reached its apogee under the Antonines. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
From the former Farnese collection, this bust of Hadrian shows him wearing the Greek chlamys (cloak) to emphasize his love for Greek culture. It was normally pinned with a fibula at the right shoulder, as it is here. It continued to be worn, in a longer form, by emperors into the Byzantine period. Hadrian's portrait busts transformed the style of Roman sculpture, creating a taste for fluid forms and ornately curled beards and hair which reached its apogee under the Antonines. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Adjunct Module A: Italian Art
LocalCollection
Adjunct Module A: Italian Art
Collection
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Identifier:
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7A3-R-NAM-BHC-A01
Image_OriginalVendor ID
7A3-R-NAM-BHC-A01
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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