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Collection:
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ADJUNCT MODULE A: ITALIAN ART
LocalCollection
ADJUNCT MODULE A: ITALIAN ART
Collection
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Preferred Title:
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Virgin and Child with Six Angels and the Baptist
Work_PrefTitle
Virgin and Child with Six Angels and the Baptist
Preferred Title
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Image View:
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Detail of upper half with Madonna and Child and angels
Image_Title
Detail of upper half with Madonna and Child and angels
Image View
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Creator:
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workshop of Sandro Botticelli (Italian painter, ca. 1444-1510)
Agent_Display
workshop of Sandro Botticelli (Italian painter, ca. 1444-1510)
Creator
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Location:
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repository: Galleria Borghese (Rome, Lazio, Italy)
Work_Location_Type_D isplay
repository: Galleria Borghese (Rome, Lazio, Italy)
Location
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Location Note:
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Piazzale del Museo Borghese 5
Work_LocationNotes
Piazzale del Museo Borghese 5
Location Note
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GPS:
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41.914 12.492
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Date:
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ca. 1485 (creation)
Work_DateDisplay
ca. 1485 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Renaissance
Work_StylePeriodDisp lay
Renaissance
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Work Type 2:
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tondo
Work_Worktype2
tondo
Work Type 2
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Classification:
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painting
Work_Classification
painting
Classification
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Material:
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tempera paint on wood panel
Work_MaterialDisplay
tempera paint on wood panel
Material
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Technique:
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painting and painting techniques
Work_Technique
painting and painting techniques
Technique
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Measurements:
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170 cm (diameter)
Work_MeasurementDisp lay
170 cm (diameter)
Measurements
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Description:
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The picture is rich in floral symbols of the Virgin. The angels hold long-stemmed lilies, the vases are filled with pink and white roses, one angel wears a wreath of roses, another is garlanded with white jasmine, and a third has a sprig of juniper around his wrist. The Child holds a pomegranate, symbolising the Resurrection. This unusually large tondo is recorded in a Borghese inventory of 1693 as a work of Ghirlandaio, an attribution it retained until the nineteenth century. First attributed to Botticelli in 1864 by Crowe and Cavalcaselle. The execution appears to have been left largely or entirely to his workshop. The pose of the little St John, kneeling to the left of the throne, resembles that of the naked youth in Filippino Lippi’s fresco of the Raising of the Son of Theophilus in the Carmine. (Source: Cavallini to Veronese [website]; http://cavallinitove ronese.co.uk/)
Work_Description_Sou rce
The picture is rich in floral symbols of the Virgin. The angels hold long-stemmed lilies, the vases are filled with pink and white roses, one angel wears a wreath of roses, another is garlanded with white jasmine, and a third has a sprig of juniper around his wrist. The Child holds a pomegranate, symbolising the Resurrection. This unusually large tondo is recorded in a Borghese inventory of 1693 as a work of Ghirlandaio, an attribution it retained until the nineteenth century. First attributed to Botticelli in 1864 by Crowe and Cavalcaselle. The execution appears to have been left largely or entirely to his workshop. The pose of the little St John, kneeling to the left of the throne, resembles that of the naked youth in Filippino Lippi’s fresco of the Raising of the Son of Theophilus in the Carmine. (Source: Cavallini to Veronese [website]; http://cavallinitove ronese.co.uk/)
Description
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Collection:
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Adjunct Module A: Italian Art
LocalCollection
Adjunct Module A: Italian Art
Collection
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Identifier:
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7A1-BSW-BG-VC-A02
Image_OriginalVendor ID
7A1-BSW-BG-VC-A02
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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