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Collection:
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ADJUNCT MODULE A: ITALIAN ART
LocalCollection
ADJUNCT MODULE A: ITALIAN ART
Collection
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Preferred Title:
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Saint Paul
Work_PrefTitle
Saint Paul
Preferred Title
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Alternate Title:
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San Paolo
Work_AltTitle
San Paolo
Alternate Title
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Image View:
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Detail of the upper part of the figure from the left
Image_Title
Detail of the upper part of the figure from the left
Image View
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Creator:
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Francesco Mochi (Italian sculptor, 1580-1654)
Agent_Display
Francesco Mochi (Italian sculptor, 1580-1654)
Creator
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Location:
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repository: Museo di Roma (Rome, Lazio, Italy) MR 42967
Work_Location_Type_D isplay
repository: Museo di Roma (Rome, Lazio, Italy) MR 42967
Location
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Location Note:
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Palazzo Braschi; Piazza Navona, 2 and Piazza San Pantaleo, 10
Work_LocationNotes
Palazzo Braschi; Piazza Navona, 2 and Piazza San Pantaleo, 10
Location Note
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GPS:
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41.897444 12.472861
GPS
41.897444 12.472861
GPS
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Date:
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1638-1652 (creation)
Work_DateDisplay
1638-1652 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Baroque
Work_StylePeriodDisp lay
Baroque
Style Period
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Work Type 1:
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sculpture (visual work)
Work_Worktype1
sculpture (visual work)
Work Type 1
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Classification:
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sculpture
Work_Classification
sculpture
Classification
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Material:
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marble
Work_MaterialDisplay
marble
Material
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Technique:
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carving (processes)
Work_Technique
carving (processes)
Technique
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Description:
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Located in the Museo di Roma (Palazzo Braschi). Having ranked among Rome’s best sculptors in the early 1630s, Mochi was soon overshadowed by Bernini and Alessandro Algardi. During the last twenty years of his career Mochi had only five significant commissions, and two of these were withdrawn and awarded to Bernini and Algardi. The marble group of the Baptism (ca. 1634-1650) and his SS Peter and Paul (1638-1652) were both rejected by their patrons and subsequently installed in locations other than those for which they had been intended. These late 'expressionistic' works have generated more discussion than any other aspect of Mochi’s career. One interpretation suggests that they are reversions to Florentine Mannerism. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
Located in the Museo di Roma (Palazzo Braschi). Having ranked among Rome’s best sculptors in the early 1630s, Mochi was soon overshadowed by Bernini and Alessandro Algardi. During the last twenty years of his career Mochi had only five significant commissions, and two of these were withdrawn and awarded to Bernini and Algardi. The marble group of the Baptism (ca. 1634-1650) and his SS Peter and Paul (1638-1652) were both rejected by their patrons and subsequently installed in locations other than those for which they had been intended. These late 'expressionistic' works have generated more discussion than any other aspect of Mochi’s career. One interpretation suggests that they are reversions to Florentine Mannerism. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Adjunct Module A: Italian Art
LocalCollection
Adjunct Module A: Italian Art
Collection
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Identifier:
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7A1-MOCH-MOR-SP-A05
Image_OriginalVendor ID
7A1-MOCH-MOR-SP-A05
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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