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Collection:
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ADJUNCT MODULE A: ITALIAN ART
LocalCollection
ADJUNCT MODULE A: ITALIAN ART
Collection
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Preferred Title:
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Stanza della Segnatura: Basamento (Base panels)
Work_PrefTitle
Stanza della Segnatura: Basamento (Base panels)
Preferred Title
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Image View:
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Detail, grisaille (monochrome) painting of a caryatid, mimicking marble sculpture
Image_Title
Detail, grisaille (monochrome) painting of a caryatid, mimicking marble sculpture
Image View
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Creator:
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Perino del Vaga (Italian painter, 1501-1547)
Agent_Display
Perino del Vaga (Italian painter, 1501-1547)
Creator
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Location:
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repository: Musei Vaticani (Rome (Vatican City), Santa Sede (Holy See), Italy)
Work_Location_Type_D isplay
repository: Musei Vaticani (Rome (Vatican City), Santa Sede (Holy See), Italy)
Location
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Location Note:
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Vatican Apartments, Stanza della Segnatura
Work_LocationNotes
Vatican Apartments, Stanza della Segnatura
Location Note
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GPS:
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41.906389 12.454444
GPS
41.906389 12.454444
GPS
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Date:
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ca. 1538-1545 (creation)
Work_DateDisplay
ca. 1538-1545 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Renaissance; Sixteenth century
Work_StylePeriodDisp lay
Renaissance; Sixteenth century
Style Period
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Work Type 1:
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fresco (painting)
Work_Worktype1
fresco (painting)
Work Type 1
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Classification:
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painting
Work_Classification
painting
Classification
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Material:
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pigment on plaster
Work_MaterialDisplay
pigment on plaster
Material
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Technique:
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fresco painting (technique); grisaille
Work_Technique
fresco painting (technique); grisaille
Technique
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Description:
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On the recommendation of Giulio Romano and Giovanni Francesco Penni, Perino joined Raphael’s workshop in about 1516, where he learnt stuccowork and how to design grotesques. He assisted Giovanni da Udine in the Vatican Logge. Panels painted to look like bronze reliefs became a specialty for him. Back in Rome by 1538, Pope Paul III ordered decorations for the spalliera below Michelangelo’s Last Judgement (tempera on canvas; Rome, Gal. Spada) and for the basamento of Raphael’s frescoes in the Stanza della Segnatura. The stanza basamento is in the form of simulated bronze reliefs surrounded by grisaille decorations. The original wooden wainscoting had been destroyed, probably in the Sack of Rome in 1527. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
On the recommendation of Giulio Romano and Giovanni Francesco Penni, Perino joined Raphael’s workshop in about 1516, where he learnt stuccowork and how to design grotesques. He assisted Giovanni da Udine in the Vatican Logge. Panels painted to look like bronze reliefs became a specialty for him. Back in Rome by 1538, Pope Paul III ordered decorations for the spalliera below Michelangelo’s Last Judgement (tempera on canvas; Rome, Gal. Spada) and for the basamento of Raphael’s frescoes in the Stanza della Segnatura. The stanza basamento is in the form of simulated bronze reliefs surrounded by grisaille decorations. The original wooden wainscoting had been destroyed, probably in the Sack of Rome in 1527. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Adjunct Module A: Italian Art
LocalCollection
Adjunct Module A: Italian Art
Collection
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Identifier:
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7A1-RS-VM-SA-G10
Image_OriginalVendor ID
7A1-RS-VM-SA-G10
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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