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Collection:
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ADJUNCT MODULE B: ITALIAN ART
LocalCollection
ADJUNCT MODULE B: ITALIAN ART
Collection
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Preferred Title:
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Portrait of a Young Betrothed or Husband
Work_PrefTitle
Portrait of a Young Betrothed or Husband
Preferred Title
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Alternate Title:
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Ritratto di giovane fidanzato o sposo
Work_AltTitle
Ritratto di giovane fidanzato o sposo
Alternate Title
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Image View:
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Overall view with frame
Image_Title
Overall view with frame
Image View
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Creator:
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attributed to Antonio da Crevalcore (Italian painter, active 1478, died before 1525)
Agent_Display
attributed to Antonio da Crevalcore (Italian painter, active 1478, died before 1525)
Creator
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Location:
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repository: Museo Correr (Venice, Veneto, Italy) Cl. I n. 0053
Work_Location_Type_D isplay
repository: Museo Correr (Venice, Veneto, Italy) Cl. I n. 0053
Location
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Location Note:
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Piazza San Marco 52
Work_LocationNotes
Piazza San Marco 52
Location Note
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GPS:
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45.4339 12.3375
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Date:
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ca. 1475 (creation)
Work_DateDisplay
ca. 1475 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Fifteenth century; Renaissance
Work_StylePeriodDisp lay
Fifteenth century; Renaissance
Style Period
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Work Type 1:
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panel painting
Work_Worktype1
panel painting
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil paint on wood panel
Work_MaterialDisplay
oil paint on wood panel
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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51 cm (height) x 37 cm (width)
Work_MeasurementDisp lay
51 cm (height) x 37 cm (width)
Measurements
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Subjects:
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portrait; profile portrait; marriage portrait
Work_Image_SubjectDi splay
portrait; profile portrait; marriage portrait
Subjects
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Description:
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The museum label lists the work as tempera, the online catalog says oil painting. The profile view, which was favored in ancient coins, was frequently adopted in the fifteenth century. A portrait was often commissioned at a significant moment in someone’s life, such as betrothal, marriage, or elevation to an office. The man is portrayed against a green curtain partly open on a sea town. The presence of the prayer book on the windowsill with the ring and the pearl supports the idea of a marriage portrait and also that it was originally a diptych, with the betrothed woman portrayed in the missing panel. (Source: Fondazione Musei Civici Venezia [online collection database]; http://www.archiviod ellacomunicazione.it /)
Work_Description_Sou rce
The museum label lists the work as tempera, the online catalog says oil painting. The profile view, which was favored in ancient coins, was frequently adopted in the fifteenth century. A portrait was often commissioned at a significant moment in someone’s life, such as betrothal, marriage, or elevation to an office. The man is portrayed against a green curtain partly open on a sea town. The presence of the prayer book on the windowsill with the ring and the pearl supports the idea of a marriage portrait and also that it was originally a diptych, with the betrothed woman portrayed in the missing panel. (Source: Fondazione Musei Civici Venezia [online collection database]; http://www.archiviod ellacomunicazione.it /)
Description
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Collection:
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Adjunct Module B: Italian Art
LocalCollection
Adjunct Module B: Italian Art
Collection
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Identifier:
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6A1-CREVA-MC-PG-A01
Image_OriginalVendor ID
6A1-CREVA-MC-PG-A01
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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