Collection:
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ADJUNCT MODULE B: ITALIAN ART
LocalCollection
ADJUNCT MODULE B: ITALIAN ART
Collection
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Preferred Title:
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Madonna of Mercy with Saints
Work_PrefTitle
Madonna of Mercy with Saints
Preferred Title
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Alternate Title:
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Madonna della Misericordia
Work_AltTitle
Madonna della Misericordia
Alternate Title
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Image View:
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Detail, right side, saint with landscape in background
Image_Title
Detail, right side, saint with landscape in background
Image View
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Creator:
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Ortolano (Italian painter, active ca. 1500-ca. 1527)
Agent_Display
Ortolano (Italian painter, active ca. 1500-ca. 1527)
Creator
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Location:
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repository: Santa Maria Gloriosa dei Frari (Venice, Veneto, Italy)
Work_Location_Type_D isplay
repository: Santa Maria Gloriosa dei Frari (Venice, Veneto, Italy)
Location
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Location Note:
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Campo dei Frari
Work_LocationNotes
Campo dei Frari
Location Note
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GPS:
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45.436667 12.326111
GPS
45.436667 12.326111
GPS
|
Date:
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ca. 1508 (creation)
Work_DateDisplay
ca. 1508 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
|
Renaissance; Sixteenth century
Work_StylePeriodDisp lay
Renaissance; Sixteenth century
Style Period
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Work Type 1:
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panel painting
Work_Worktype1
panel painting
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil paint on wood panel
Work_MaterialDisplay
oil paint on wood panel
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Subjects:
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saints; Mary, Blessed Virgin, Saint
Work_Image_SubjectDi splay
saints; Mary, Blessed Virgin, Saint
Subjects
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Description:
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The name by which he is known is derived from his father’s occupation as a gardener (It. ortolano); Ortolano began his career in Ferrara around 1500. Probably as a result of a journey to Venice with Garofalo (1508), he introduced warmer colors and a greater emphasis on naturalism into his painting. The Madonna della Misericordia (Madonna of Mercy) showing a group of people sheltering for protection under the outspread cloak, or pallium of the Virgin Mary, was especially popular in Italy from the 13th to 16th centuries. This panel is in the sacristy of the church. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
The name by which he is known is derived from his father’s occupation as a gardener (It. ortolano); Ortolano began his career in Ferrara around 1500. Probably as a result of a journey to Venice with Garofalo (1508), he introduced warmer colors and a greater emphasis on naturalism into his painting. The Madonna della Misericordia (Madonna of Mercy) showing a group of people sheltering for protection under the outspread cloak, or pallium of the Virgin Mary, was especially popular in Italy from the 13th to 16th centuries. This panel is in the sacristy of the church. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Adjunct Module B: Italian Art
LocalCollection
Adjunct Module B: Italian Art
Collection
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Identifier:
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6A1-FERRAR-SMF-VM-A0 5
Image_OriginalVendor ID
6A1-FERRAR-SMF-VM-A0 5
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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