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Collection:
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ADJUNCT MODULE B: ITALIAN ART
LocalCollection
ADJUNCT MODULE B: ITALIAN ART
Collection
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Preferred Title:
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Death of Saint Mammes of Caesarea
Work_PrefTitle
Death of Saint Mammes of Caesarea
Preferred Title
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Alternate Title:
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Death of Saint Mamante
Work_AltTitle
Death of Saint Mamante
Alternate Title
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Image View:
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Overall view (removed from a polyptych)
Image_Title
Overall view (removed from a polyptych)
Image View
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Creator:
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Francesco dei Franceschi (Italian painter, active 1445-1456)
Agent_Display
Francesco dei Franceschi (Italian painter, active 1445-1456)
Creator
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Location:
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repository: Museo Correr (Venice, Veneto, Italy) CI. I n. 351
Work_Location_Type_D isplay
repository: Museo Correr (Venice, Veneto, Italy) CI. I n. 351
Location
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Location Note:
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Piazza San Marco 52
Work_LocationNotes
Piazza San Marco 52
Location Note
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GPS:
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45.4339 12.3375
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Date:
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ca. 1445-1455 (creation)
Work_DateDisplay
ca. 1445-1455 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Fifteenth century; Late Gothic
Work_StylePeriodDisp lay
Fifteenth century; Late Gothic
Style Period
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Work Type 1:
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panel painting
Work_Worktype1
panel painting
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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tempera and gold leaf on wood panel
Work_MaterialDisplay
tempera and gold leaf on wood panel
Material
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Technique:
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gilding (technique); painting and painting techniques
Work_Technique
gilding (technique); painting and painting techniques
Technique
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Subjects:
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landscape; saints; deer; hermits; polyptych
Work_Image_SubjectDi splay
landscape; saints; deer; hermits; polyptych
Subjects
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Description:
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After being stabbed at the palace of Duke Alexander (alluded to by the distant castle), Mammes manages to drag himself away; his soul was carried to heaven by angels. (This panel seems to actually illustrate a scene earlier in the legend of Mammes where an angel liberates him from the Emperor Aurelian and orders him to hide himself on a mountain near Caesarea). The panel is from a polyptych, now split between multiple collections. Francesco de Franceschi was a Venetian, influenced by Michele Giambono and Alvise Vivarini; his work bridges International Gothic and the early Renaissance. (Source: Fondazione Musei Civici Venezia [online collection database]; http://www.archiviod ellacomunicazione.it /)
Work_Description_Sou rce
After being stabbed at the palace of Duke Alexander (alluded to by the distant castle), Mammes manages to drag himself away; his soul was carried to heaven by angels. (This panel seems to actually illustrate a scene earlier in the legend of Mammes where an angel liberates him from the Emperor Aurelian and orders him to hide himself on a mountain near Caesarea). The panel is from a polyptych, now split between multiple collections. Francesco de Franceschi was a Venetian, influenced by Michele Giambono and Alvise Vivarini; his work bridges International Gothic and the early Renaissance. (Source: Fondazione Musei Civici Venezia [online collection database]; http://www.archiviod ellacomunicazione.it /)
Description
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Collection:
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Adjunct Module B: Italian Art
LocalCollection
Adjunct Module B: Italian Art
Collection
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Identifier:
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6A1-FFR-MC-DSM-A01
Image_OriginalVendor ID
6A1-FFR-MC-DSM-A01
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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