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Collection:
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ADJUNCT MODULE B: ITALIAN ART
LocalCollection
ADJUNCT MODULE B: ITALIAN ART
Collection
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Preferred Title:
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Virgin Appearing to Saint Bernard
Work_PrefTitle
Virgin Appearing to Saint Bernard
Preferred Title
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Image View:
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Detail, angel by the side of the Virgin
Image_Title
Detail, angel by the side of the Virgin
Image View
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Creator:
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Filippino Lippi (Italian painter, ca.1457-1504)
Agent_Display
Filippino Lippi (Italian painter, ca.1457-1504)
Creator
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Location:
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repository: Badia Fiorentina (Florence, Tuscany, Italy)
Work_Location_Type_D isplay
repository: Badia Fiorentina (Florence, Tuscany, Italy)
Location
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Location Note:
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Church of Badìa Fiorentina
Work_LocationNotes
Church of Badìa Fiorentina
Location Note
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GPS:
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43.770433 11.257717
GPS
43.770433 11.257717
GPS
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Date:
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ca. 1485-1487 (creation)
Work_DateDisplay
ca. 1485-1487 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Fifteenth century; Renaissance
Work_StylePeriodDisp lay
Fifteenth century; Renaissance
Style Period
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Work Type 1:
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panel painting
Work_Worktype1
panel painting
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil paint on panel
Work_MaterialDisplay
oil paint on panel
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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210 cm (height) x 195 cm (width)
Work_MeasurementDisp lay
210 cm (height) x 195 cm (width)
Measurements
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Subjects:
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landscape; saints; Bernard of Clairvaux, Saint; Cistercians; Mary, Blessed Virgin, Saint
Work_Image_SubjectDi splay
landscape; saints; Bernard of Clairvaux, Saint; Cistercians; Mary, Blessed Virgin, Saint
Subjects
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Description:
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Filippino painted one of his most renowned works, the Virgin Appearing to St. Bernard, for the family chapel of Piero del Pugliese in the monastery church of Le Campora at Marignolle near Florence. Pugliese appears at the lower right, near Bernard, who sits outdoors at a writing desk. Touching her breast with one hand and the page with the other, the Virgin enlivens Bernard’s text with the milk of wisdom. For the image of Bernard, Filippino looked to Botticelli’s St Augustine (Florence, Ognissanti). Filippino learnt from Hugo van der Goes’s Portinari Altarpiece, which entered Florence in May 1483, how to describe seasonal changes in nature and how to populate a hillside with anecdotal information. His landscape backgrounds were also influenced by Antonio del Pollaiuolo and by Hans Memling’s Virgin and Child with Angels (Florence, Uffizi). (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
Filippino painted one of his most renowned works, the Virgin Appearing to St. Bernard, for the family chapel of Piero del Pugliese in the monastery church of Le Campora at Marignolle near Florence. Pugliese appears at the lower right, near Bernard, who sits outdoors at a writing desk. Touching her breast with one hand and the page with the other, the Virgin enlivens Bernard’s text with the milk of wisdom. For the image of Bernard, Filippino looked to Botticelli’s St Augustine (Florence, Ognissanti). Filippino learnt from Hugo van der Goes’s Portinari Altarpiece, which entered Florence in May 1483, how to describe seasonal changes in nature and how to populate a hillside with anecdotal information. His landscape backgrounds were also influenced by Antonio del Pollaiuolo and by Hans Memling’s Virgin and Child with Angels (Florence, Uffizi). (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Adjunct Module B: Italian Art
LocalCollection
Adjunct Module B: Italian Art
Collection
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Identifier:
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6A1-LIPPI-AVSB-A03
Image_OriginalVendor ID
6A1-LIPPI-AVSB-A03
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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