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Collection:
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ADJUNCT MODULE B: ITALIAN ART
LocalCollection
ADJUNCT MODULE B: ITALIAN ART
Collection
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Preferred Title:
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Tomb of Pietro Mocenigo
Work_PrefTitle
Tomb of Pietro Mocenigo
Preferred Title
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Image View:
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Overall view, wall tomb as triumphal arch
Image_Title
Overall view, wall tomb as triumphal arch
Image View
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Creator:
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Pietro Lombardo (Italian sculptor, ca. 1435-1515); Tullio Lombardo (Italian sculptor, ca.1455-1532)
Agent_Display
Pietro Lombardo (Italian sculptor, ca. 1435-1515); Tullio Lombardo (Italian sculptor, ca.1455-1532)
Creator
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Location:
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repository: Santi Giovanni e Paolo (San Zanipolo) (Venice, Veneto, Italy)
Work_Location_Type_D isplay
repository: Santi Giovanni e Paolo (San Zanipolo) (Venice, Veneto, Italy)
Location
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Location Note:
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Campo San Giovanni e Paolo, Castello sestiere
Work_LocationNotes
Campo San Giovanni e Paolo, Castello sestiere
Location Note
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GPS:
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45.4392 12.3421
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Date:
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1476-1481 (creation)
Work_DateDisplay
1476-1481 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Fifteenth century; Renaissance
Work_StylePeriodDisp lay
Fifteenth century; Renaissance
Style Period
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Work Type 1:
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sculpture (visual work)
Work_Worktype1
sculpture (visual work)
Work Type 1
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Work Type 2:
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monument
Work_Worktype2
monument
Work Type 2
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Classification:
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Sculpture and Installations
Work_Classification
Sculpture and Installations
Classification
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Material:
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Istrian stone; marble
Work_MaterialDisplay
Istrian stone; marble
Material
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Technique:
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carving (processes); construction (assembling)
Work_Technique
carving (processes); construction (assembling)
Technique
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Subjects:
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allegory; death or burial; funerary art; military or war; rulers and leaders; Venetian; atlantes
Work_Image_SubjectDi splay
allegory; death or burial; funerary art; military or war; rulers and leaders; Venetian; atlantes
Subjects
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Description:
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After the 15th century the funeral services of all of Venice's doges were held in San Zanipolo, and twenty-five doges are buried in the church. Pietro Mocenigo (1406-1476) was doge of Venice from 1474 to 1476, and also one of her greatest admirals. This is Pietro Lombardo's grandest funerary monument. Arranged in the form of a triumphal arch, it fills nearly one-third of the interior façade of the church and originally included 17 figures. The Doge stands on top of his sarcophagus, which is supported by three warriors (atlantes). The monument was restored in 1984. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
After the 15th century the funeral services of all of Venice's doges were held in San Zanipolo, and twenty-five doges are buried in the church. Pietro Mocenigo (1406-1476) was doge of Venice from 1474 to 1476, and also one of her greatest admirals. This is Pietro Lombardo's grandest funerary monument. Arranged in the form of a triumphal arch, it fills nearly one-third of the interior façade of the church and originally included 17 figures. The Doge stands on top of his sarcophagus, which is supported by three warriors (atlantes). The monument was restored in 1984. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Adjunct Module B: Italian Art
LocalCollection
Adjunct Module B: Italian Art
Collection
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Identifier:
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6A1-LOMBAR-BSG-TM-A0 1
Image_OriginalVendor ID
6A1-LOMBAR-BSG-TM-A0 1
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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