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Collection:
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ADJUNCT MODULE B: ITALIAN ART
LocalCollection
ADJUNCT MODULE B: ITALIAN ART
Collection
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Preferred Title:
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Pulpit, Santa Maria Novella
Work_PrefTitle
Pulpit, Santa Maria Novella
Preferred Title
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Image View:
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Detail, large decorated corbel under the body of the pulpit
Image_Title
Detail, large decorated corbel under the body of the pulpit
Image View
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Creator:
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Andrea di Lazzaro Cavalcanti (Italian sculptor, 1412-1462); Filippo Brunelleschi (Italian designer, 1377-1446)
Agent_Display
Andrea di Lazzaro Cavalcanti (Italian sculptor, 1412-1462); Filippo Brunelleschi (Italian designer, 1377-1446)
Creator
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Location:
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repository: Santa Maria Novella (Florence, Tuscany, Italy)
Work_Location_Type_D isplay
repository: Santa Maria Novella (Florence, Tuscany, Italy)
Location
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Location Note:
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Piazza Santa Maria Novella, 18
Work_LocationNotes
Piazza Santa Maria Novella, 18
Location Note
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GPS:
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43.7746 11.2493
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Date:
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1443-1452 (creation)
Work_DateDisplay
1443-1452 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Renaissance
Work_StylePeriodDisp lay
Renaissance
Style Period
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Work Type 1:
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pulpit
Work_Worktype1
pulpit
Work Type 1
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Work Type 2:
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relief (sculpture)
Work_Worktype2
relief (sculpture)
Work Type 2
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Classification:
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Sculpture and Installations
Work_Classification
Sculpture and Installations
Classification
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Material:
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marble; gold leaf
Work_MaterialDisplay
marble; gold leaf
Material
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Technique:
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carving (processes); construction (assembling)
Work_Technique
carving (processes); construction (assembling)
Technique
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Subjects:
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New Testament; Mary, Blessed Virgin, Saint; liturgy
Work_Image_SubjectDi splay
New Testament; Mary, Blessed Virgin, Saint; liturgy
Subjects
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Description:
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He was the son of Lazzaro Cavalcanti but was adopted at the age of seven by Filippo Brunelleschi. He is also known as Buggiano after his birthplace. In 1443 Cavalcanti had begun to carve a circular marble pulpit for the church of S Maria Novella, Florence, based on a model by Brunelleschi and financed by the monk Andrea Rucellai. The pulpit, with its richly carved mouldings, betrays an element of ingenuity and repetition in the four panels depicting scenes of the Life of the Virgin; the work was completed in 1452, after much delay, and was assembled and evaluated by Antonio Rossellino and Desiderio da Settignano. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
He was the son of Lazzaro Cavalcanti but was adopted at the age of seven by Filippo Brunelleschi. He is also known as Buggiano after his birthplace. In 1443 Cavalcanti had begun to carve a circular marble pulpit for the church of S Maria Novella, Florence, based on a model by Brunelleschi and financed by the monk Andrea Rucellai. The pulpit, with its richly carved mouldings, betrays an element of ingenuity and repetition in the four panels depicting scenes of the Life of the Virgin; the work was completed in 1452, after much delay, and was assembled and evaluated by Antonio Rossellino and Desiderio da Settignano. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Adjunct Module B: Italian Art
LocalCollection
Adjunct Module B: Italian Art
Collection
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Identifier:
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6A1-MAIANO-SMN-P-A09
Image_OriginalVendor ID
6A1-MAIANO-SMN-P-A09
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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