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Collection:
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ADJUNCT MODULE B: ITALIAN ART
LocalCollection
ADJUNCT MODULE B: ITALIAN ART
Collection
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Preferred Title:
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Crucifixion and Last Supper
Work_PrefTitle
Crucifixion and Last Supper
Preferred Title
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Image View:
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Detail, women mourning at the base of the Cross including three female saints
Image_Title
Detail, women mourning at the base of the Cross including three female saints
Image View
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Creator:
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attributed to Orcagna (Italian painter, ca. 1315-1368)
Agent_Display
attributed to Orcagna (Italian painter, ca. 1315-1368)
Creator
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Location:
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repository: Fondazione Salvatore Romano (Florence, Tuscany, Italy)
Work_Location_Type_D isplay
repository: Fondazione Salvatore Romano (Florence, Tuscany, Italy)
Location
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Location Note:
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Piazza Santo Spirito, 29; Cenacolo (Refectory) of Santo Spirito and Fondazione Salvatore Romano
Work_LocationNotes
Piazza Santo Spirito, 29; Cenacolo (Refectory) of Santo Spirito and Fondazione Salvatore Romano
Location Note
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GPS:
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43.767278 11.24825
GPS
43.767278 11.24825
GPS
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Date:
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ca. 1360-1365 (creation)
Work_DateDisplay
ca. 1360-1365 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Gothic (Medieval)
Work_StylePeriodDisp lay
Gothic (Medieval)
Style Period
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Work Type 1:
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fresco (painting)
Work_Worktype1
fresco (painting)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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pigment on plaster
Work_MaterialDisplay
pigment on plaster
Material
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Technique:
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fresco painting (technique)
Work_Technique
fresco painting (technique)
Technique
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Subjects:
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New Testament; saints; Apostles; Augustine, Saint, Bishop of Hippo; Jesus Christ; Augustinians
Work_Image_SubjectDi splay
New Testament; saints; Apostles; Augustine, Saint, Bishop of Hippo; Jesus Christ; Augustinians
Subjects
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Description:
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The former convent also contains the great refectory (Cenacolo di Santo Spirito) with a large fresco portraying the Crucifixion above a fragmentary Last Supper, both attributed (not securely) to Andrea Orcagna (1360-1365) or his workshop. Nardo di Cione is also cited. An attribution was made by Lorenzo Ghiberti (1378-1455) in his "Second Commentary". Some scholars have attributed some of the figures in the Crucifixion to the Master of the Bargello. The frescoes were rediscovered in the nineteenth century after being covered for centuries. (Source: Wikipedia; http://en.wikipedia. org/wiki/Main_Page)
Work_Description_Sou rce
The former convent also contains the great refectory (Cenacolo di Santo Spirito) with a large fresco portraying the Crucifixion above a fragmentary Last Supper, both attributed (not securely) to Andrea Orcagna (1360-1365) or his workshop. Nardo di Cione is also cited. An attribution was made by Lorenzo Ghiberti (1378-1455) in his "Second Commentary". Some scholars have attributed some of the figures in the Crucifixion to the Master of the Bargello. The frescoes were rediscovered in the nineteenth century after being covered for centuries. (Source: Wikipedia; http://en.wikipedia. org/wiki/Main_Page)
Description
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Collection:
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Adjunct Module B: Italian Art
LocalCollection
Adjunct Module B: Italian Art
Collection
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Identifier:
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6A1-ORCAGNA-CSS-CLS- A10
Image_OriginalVendor ID
6A1-ORCAGNA-CSS-CLS- A10
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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