|
Collection:
|
|
ADJUNCT MODULE B: ITALIAN ART
LocalCollection
ADJUNCT MODULE B: ITALIAN ART
Collection
|
|
Preferred Title:
|
|
Presentation of Mary in the Temple
Work_PrefTitle
Presentation of Mary in the Temple
Preferred Title
|
|
Image View:
|
|
Detail, witnessing saints (relevant to the donor of the altarpiece)
Image_Title
Detail, witnessing saints (relevant to the donor of the altarpiece)
Image View
|
|
Creator:
|
|
Giuseppe Porta (Italian painter, ca. 1520-ca. 1575)
Agent_Display
Giuseppe Porta (Italian painter, ca. 1520-ca. 1575)
Creator
|
|
Location:
|
|
repository: Santa Maria Gloriosa dei Frari (Venice, Veneto, Italy)
Work_Location_Type_D isplay
repository: Santa Maria Gloriosa dei Frari (Venice, Veneto, Italy)
Location
|
|
Location Note:
|
|
Campo dei Frari
Work_LocationNotes
Campo dei Frari
Location Note
|
|
GPS:
|
|
45.436667 12.326111
GPS
45.436667 12.326111
GPS
|
|
Date:
|
|
1548-1550 (creation)
Work_DateDisplay
1548-1550 (creation)
Date
|
|
Cultural Context:
|
|
Italian
Work_Culture
Italian
Cultural Context
|
|
Style Period:
|
|
Mannerist (Renaissance-Baroque style); Sixteenth century
Work_StylePeriodDisp lay
Mannerist (Renaissance-Baroque style); Sixteenth century
Style Period
|
|
Work Type 1:
|
|
altarpiece
Work_Worktype1
altarpiece
Work Type 1
|
|
Work Type 2:
|
|
painting (visual work)
Work_Worktype2
painting (visual work)
Work Type 2
|
|
Classification:
|
|
Paintings
Work_Classification
Paintings
Classification
|
|
Material:
|
|
oil paint on canvas
Work_MaterialDisplay
oil paint on canvas
Material
|
|
Technique:
|
|
oil painting (technique)
Work_Technique
oil painting (technique)
Technique
|
|
Measurements:
|
|
483 cm (height) x 247 cm (width)
Work_MeasurementDisp lay
483 cm (height) x 247 cm (width)
Measurements
|
|
Subjects:
|
|
New Testament; saints; Mary, Blessed Virgin, Saint; miracles; Venetian
Work_Image_SubjectDi splay
New Testament; saints; Mary, Blessed Virgin, Saint; miracles; Venetian
Subjects
|
|
Description:
|
|
Giuseppe was apprenticed to Francesco Salviati in Rome from 1535, apparently assisted him in the decoration of a number of facades there, and seems to have taken his name "Salviati." In the mid-16th century, he lived in Venice and had a network of powerful patrons, eventually including the Doge. The painting is on the altar dedicated to the Purification of the Virgin. The mandatory subject of the altar painting is complemented by the eponymous saints of various members of the donor's family. The represented saints are Paul, Helen, Augustine, Bernardino, Nicholas, and Mark. (Source: Web Gallery of Art; http://www.wga.hu/in dex.html)
Work_Description_Sou rce
Giuseppe was apprenticed to Francesco Salviati in Rome from 1535, apparently assisted him in the decoration of a number of facades there, and seems to have taken his name "Salviati." In the mid-16th century, he lived in Venice and had a network of powerful patrons, eventually including the Doge. The painting is on the altar dedicated to the Purification of the Virgin. The mandatory subject of the altar painting is complemented by the eponymous saints of various members of the donor's family. The represented saints are Paul, Helen, Augustine, Bernardino, Nicholas, and Mark. (Source: Web Gallery of Art; http://www.wga.hu/in dex.html)
Description
|
|
Collection:
|
|
Adjunct Module B: Italian Art
LocalCollection
Adjunct Module B: Italian Art
Collection
|
|
Identifier:
|
|
6A1-SALVI-SMF-PST-A0 1
Image_OriginalVendor ID
6A1-SALVI-SMF-PST-A0 1
Identifier
|
|
Rights:
|
|
© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
|
