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Collection:
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ADJUNCT MODULE B: ITALIAN ART
LocalCollection
ADJUNCT MODULE B: ITALIAN ART
Collection
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Preferred Title:
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Assumption of the Virgin
Work_PrefTitle
Assumption of the Virgin
Preferred Title
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Alternate Title:
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Assunta
Work_AltTitle
Assunta
Alternate Title
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Image View:
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Overall view in the apse of the Presbytery behind the high altar
Image_Title
Overall view in the apse of the Presbytery behind the high altar
Image View
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Creator:
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Titian (Italian painter, ca. 1488-1576)
Agent_Display
Titian (Italian painter, ca. 1488-1576)
Creator
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Location:
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repository: Santa Maria Gloriosa dei Frari (Venice, Veneto, Italy)
Work_Location_Type_D isplay
repository: Santa Maria Gloriosa dei Frari (Venice, Veneto, Italy)
Location
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Location Note:
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Campo dei Frari
Work_LocationNotes
Campo dei Frari
Location Note
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GPS:
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45.436667 12.326111
GPS
45.436667 12.326111
GPS
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Date:
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1516-1518 (creation)
Work_DateDisplay
1516-1518 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Renaissance; Sixteenth century
Work_StylePeriodDisp lay
Renaissance; Sixteenth century
Style Period
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Work Type 1:
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altarpiece
Work_Worktype1
altarpiece
Work Type 1
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Work Type 2:
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panel painting
Work_Worktype2
panel painting
Work Type 2
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil paint on wood panel
Work_MaterialDisplay
oil paint on wood panel
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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6.9 m (height) x 3.6 m (width)
Work_MeasurementDisp lay
6.9 m (height) x 3.6 m (width)
Measurements
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Inscription:
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Signed, bottom middle: Ticianus
Work_InscriptionDisp lay
Signed, bottom middle: Ticianus
Inscription
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Subjects:
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New Testament; saints; Apostles; Mary, Blessed Virgin, Saint; Venetian
Work_Image_SubjectDi splay
New Testament; saints; Apostles; Mary, Blessed Virgin, Saint; Venetian
Subjects
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Description:
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Located in the apse of the Presbytery, behind the high altar. The picture is composed of three orders. At the bottom are the Apostles (humanity), amazed and stunned by the wondrous happening. St. Peter is kneeling with his hand on his breast, St. Thomas is pointing at the Virgin, and St. Andrew in a red cloak is stretching forward. In the middle, the Madonna, bathed in light, is surrounded by by a host of angels. Above is the God the Father, calling the Virgin to him. The gigantic height of the altarpiece, and its dynamic spiral composition were unprecedented in Venice; and Titian’s pre-eminence among Venetian painters can be traced to the impact of this work. Titian was probably influenced by a meeting with Fra Bartolommeo, in turn having been inspired by seeing the work of Michelangelo and Raphael. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
Located in the apse of the Presbytery, behind the high altar. The picture is composed of three orders. At the bottom are the Apostles (humanity), amazed and stunned by the wondrous happening. St. Peter is kneeling with his hand on his breast, St. Thomas is pointing at the Virgin, and St. Andrew in a red cloak is stretching forward. In the middle, the Madonna, bathed in light, is surrounded by by a host of angels. Above is the God the Father, calling the Virgin to him. The gigantic height of the altarpiece, and its dynamic spiral composition were unprecedented in Venice; and Titian’s pre-eminence among Venetian painters can be traced to the impact of this work. Titian was probably influenced by a meeting with Fra Bartolommeo, in turn having been inspired by seeing the work of Michelangelo and Raphael. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Adjunct Module B: Italian Art
LocalCollection
Adjunct Module B: Italian Art
Collection
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Identifier:
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6A1-TITIAN-SMF-A-A01
Image_OriginalVendor ID
6A1-TITIAN-SMF-A-A01
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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