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Collection:
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ADJUNCT MODULE B: ITALIAN ART
LocalCollection
ADJUNCT MODULE B: ITALIAN ART
Collection
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Preferred Title:
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Triptych of Saint Mark
Work_PrefTitle
Triptych of Saint Mark
Preferred Title
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Alternate Title:
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Saint Mark Enthroned with Saints John the Baptist, Jerome, Peter and Nicholas of Bari
Work_AltTitle
Saint Mark Enthroned with Saints John the Baptist, Jerome, Peter and Nicholas of Bari
Alternate Title
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Image View:
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Overall view in situ, in the Capella Corner in the north transept
Image_Title
Overall view in situ, in the Capella Corner in the north transept
Image View
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Creator:
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Bartolomeo Vivarini (Italian painter, active ca. 1440-1499)
Agent_Display
Bartolomeo Vivarini (Italian painter, active ca. 1440-1499)
Creator
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Location:
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repository: Santa Maria Gloriosa dei Frari (Venice, Veneto, Italy)
Work_Location_Type_D isplay
repository: Santa Maria Gloriosa dei Frari (Venice, Veneto, Italy)
Location
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Location Note:
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Campo dei Frari
Work_LocationNotes
Campo dei Frari
Location Note
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GPS:
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45.436667 12.326111
GPS
45.436667 12.326111
GPS
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Date:
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1474 (creation)
Work_DateDisplay
1474 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Fifteenth century; Renaissance
Work_StylePeriodDisp lay
Fifteenth century; Renaissance
Style Period
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Work Type 1:
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altarpiece
Work_Worktype1
altarpiece
Work Type 1
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Work Type 2:
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panel painting
Work_Worktype2
panel painting
Work Type 2
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Work Type 3:
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triptych
Work_Worktype3
triptych
Work Type 3
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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tempera paint on wood panel
Work_MaterialDisplay
tempera paint on wood panel
Material
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Technique:
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painting and painting techniques
Work_Technique
painting and painting techniques
Technique
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Measurements:
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353 cm (height) x 262 cm (width)
Work_MeasurementDisp lay
353 cm (height) x 262 cm (width)
Measurements
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Subjects:
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saints; John, the Baptist, Saint; Mark, Saint; Nicholas, Saint, Bishop of Myra; Peter, the Apostle, Saint
Work_Image_SubjectDi splay
saints; John, the Baptist, Saint; Mark, Saint; Nicholas, Saint, Bishop of Myra; Peter, the Apostle, Saint
Subjects
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Description:
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Bartolomeo’s style developed to produce the powerful saints in the works of the 1470s, who, often seen from a low viewpoint, tower over the worshipper. This is seen in the paired saints in the St. Mark triptych (1474; Venice, Frari). Although still in a Late Gothic frame, this shows his style at its most advanced, with St. Mark seated on an early Renaissance throne, angels with swags and the diagonally grouped saints standing out against the sky and set in a continuous space. These saints are psychologically alive and their common mood gives unity to the altarpiece. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
Bartolomeo’s style developed to produce the powerful saints in the works of the 1470s, who, often seen from a low viewpoint, tower over the worshipper. This is seen in the paired saints in the St. Mark triptych (1474; Venice, Frari). Although still in a Late Gothic frame, this shows his style at its most advanced, with St. Mark seated on an early Renaissance throne, angels with swags and the diagonally grouped saints standing out against the sky and set in a continuous space. These saints are psychologically alive and their common mood gives unity to the altarpiece. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Adjunct Module B: Italian Art
LocalCollection
Adjunct Module B: Italian Art
Collection
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Identifier:
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6A1-VIVAR-SMF-SMT-A0 5
Image_OriginalVendor ID
6A1-VIVAR-SMF-SMT-A0 5
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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