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Collection:
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ADJUNCT MODULE B: ITALIAN ART
LocalCollection
ADJUNCT MODULE B: ITALIAN ART
Collection
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Preferred Title:
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The Water that flows out of the rock, The arrival of the Quails and The Falling of the Manna
Work_PrefTitle
The Water that flows out of the rock, The arrival of the Quails and The Falling of the Manna
Preferred Title
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Alternate Title:
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Story of Moses, Allegory of the Last Supper
Work_AltTitle
Story of Moses, Allegory of the Last Supper
Alternate Title
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Image View:
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Overall view; Allori's work is painted above and around a work of the school of Agnolo Gaddi (ca. 1355)
Image_Title
Overall view; Allori's work is painted above and around a work of the school of Agnolo Gaddi (ca. 1355)
Image View
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Creator:
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Alessandro Allori (Italian painter, 1535-1607)
Agent_Display
Alessandro Allori (Italian painter, 1535-1607)
Creator
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Location:
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repository: Santa Maria Novella (Florence, Tuscany, Italy)
Work_Location_Type_D isplay
repository: Santa Maria Novella (Florence, Tuscany, Italy)
Location
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Location Note:
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Piazza Santa Maria Novella, 18; Cenacolo
Work_LocationNotes
Piazza Santa Maria Novella, 18; Cenacolo
Location Note
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GPS:
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43.7746 11.2493
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Date:
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completed 1597 (creation)
Work_DateDisplay
completed 1597 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Mannerist (Renaissance-Baroque style); Sixteenth century
Work_StylePeriodDisp lay
Mannerist (Renaissance-Baroque style); Sixteenth century
Style Period
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Work Type 1:
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fresco (painting)
Work_Worktype1
fresco (painting)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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pigment on plaster
Work_MaterialDisplay
pigment on plaster
Material
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Technique:
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fresco painting (technique)
Work_Technique
fresco painting (technique)
Technique
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Subjects:
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Old Testament and Apocrypha; Exodus (Bible)
Work_Image_SubjectDi splay
Old Testament and Apocrypha; Exodus (Bible)
Subjects
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Description:
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Allori was adopted by Bronzino, and continued Bronzino's style of Mannerist painting. On the end wall of the cenacolo (refectory) of Santa Maria Novella, Allori's work is painted above and around a work of the school of Agnolo Gaddi (ca. 1355) which shows an enthroned Madonna and Child flanked by saints. He painted a Last Supper on canvas to cover the older work; this has now been removed and reinstalled on another wall. The fresco on this wall represents God’s miracles carried out to save the Jews in flight from Egypt. These involve gifts of food from God, and so related to the Last Supper formerly below. (Source: Musei Civici Fiorentini [website]; http://museicivicifi orentini.comune.fi.i t/en)
Work_Description_Sou rce
Allori was adopted by Bronzino, and continued Bronzino's style of Mannerist painting. On the end wall of the cenacolo (refectory) of Santa Maria Novella, Allori's work is painted above and around a work of the school of Agnolo Gaddi (ca. 1355) which shows an enthroned Madonna and Child flanked by saints. He painted a Last Supper on canvas to cover the older work; this has now been removed and reinstalled on another wall. The fresco on this wall represents God’s miracles carried out to save the Jews in flight from Egypt. These involve gifts of food from God, and so related to the Last Supper formerly below. (Source: Musei Civici Fiorentini [website]; http://museicivicifi orentini.comune.fi.i t/en)
Description
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Collection:
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Adjunct Module B: Italian Art
LocalCollection
Adjunct Module B: Italian Art
Collection
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Identifier:
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7A1-ALLORI-CSMN-A01
Image_OriginalVendor ID
7A1-ALLORI-CSMN-A01
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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