Collection:
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ADJUNCT MODULE B: ITALIAN ART
LocalCollection
ADJUNCT MODULE B: ITALIAN ART
Collection
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Preferred Title:
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Saint Antoninus of Florence in Adoration of the Crucifixion
Work_PrefTitle
Saint Antoninus of Florence in Adoration of the Crucifixion
Preferred Title
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Alternate Title:
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St. Antonino Worships the Crucifix
Work_AltTitle
St. Antonino Worships the Crucifix
Alternate Title
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Image View:
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Overall view in gallery to give sense of scale
Image_Title
Overall view in gallery to give sense of scale
Image View
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Creator:
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attributed to Francesco Botticini (Italian painter, 1446-1497)
Agent_Display
attributed to Francesco Botticini (Italian painter, 1446-1497)
Creator
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Location:
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repository: Museo di San Marco (Florence, Tuscany, Italy) Inv. San Marco, no. 277
Work_Location_Type_D isplay
repository: Museo di San Marco (Florence, Tuscany, Italy) Inv. San Marco, no. 277
Location
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Location Note:
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Convent of San Marco, Lavabo (Standard) Room
Work_LocationNotes
Convent of San Marco, Lavabo (Standard) Room
Location Note
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GPS:
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43.778198 11.259329
GPS
43.778198 11.259329
GPS
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Date:
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ca. 1460 (creation)
Work_DateDisplay
ca. 1460 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Renaissance
Work_StylePeriodDisp lay
Renaissance
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil paint on canvas
Work_MaterialDisplay
oil paint on canvas
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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276 cm (height) x 147 cm (width)
Work_MeasurementDisp lay
276 cm (height) x 147 cm (width)
Measurements
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Subjects:
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New Testament; saints; Jesus Christ
Work_Image_SubjectDi splay
New Testament; saints; Jesus Christ
Subjects
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Description:
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Antoninus (Fra Antonino Pierozzi) had lived and worked in the convent of San Marco. This painting was originally a standard (banner) and was later framed. It has a thin layer of paint with little binder, as was usual for a standard. The original rectangular shape was modified to fit into a enormous late 15th century arched frame. It is thought to have been painted immediately after the death of Antoninus in 1459. Formerly attributed to Alesso Baldovinetti, it is now believed to be by Botticini. (Source: Scudieri, Magnolia; Museum of San Marco, Volume 4, Florence: Giunti Editore, 1999 (8809013417, 9788809013414))
Work_Description_Sou rce
Antoninus (Fra Antonino Pierozzi) had lived and worked in the convent of San Marco. This painting was originally a standard (banner) and was later framed. It has a thin layer of paint with little binder, as was usual for a standard. The original rectangular shape was modified to fit into a enormous late 15th century arched frame. It is thought to have been painted immediately after the death of Antoninus in 1459. Formerly attributed to Alesso Baldovinetti, it is now believed to be by Botticini. (Source: Scudieri, Magnolia; Museum of San Marco, Volume 4, Florence: Giunti Editore, 1999 (8809013417, 9788809013414))
Description
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Collection:
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Adjunct Module B: Italian Art
LocalCollection
Adjunct Module B: Italian Art
Collection
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Identifier:
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7A1-BOT-CSM-SAC-A02
Image_OriginalVendor ID
7A1-BOT-CSM-SAC-A02
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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