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Collection:
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ADJUNCT MODULE B: ITALIAN ART
LocalCollection
ADJUNCT MODULE B: ITALIAN ART
Collection
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Preferred Title:
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Adoration of the Christ Child
Work_PrefTitle
Adoration of the Christ Child
Preferred Title
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Image View:
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Overall view with frame (black background added)
Image_Title
Overall view with frame (black background added)
Image View
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Creator:
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Lorenzo di Credi (Italian painter, ca. 1456-1536)
Agent_Display
Lorenzo di Credi (Italian painter, ca. 1456-1536)
Creator
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Location:
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repository: Galleria degli Uffizi (Florence, Tuscany, Italy) Inv. 1890 no. 883
Work_Location_Type_D isplay
repository: Galleria degli Uffizi (Florence, Tuscany, Italy) Inv. 1890 no. 883
Location
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Location Note:
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Piazzale degli Uffizi
Work_LocationNotes
Piazzale degli Uffizi
Location Note
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GPS:
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43.768639 11.255214
GPS
43.768639 11.255214
GPS
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Date:
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ca. 1505-1515 (creation)
Work_DateDisplay
ca. 1505-1515 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Renaissance
Work_StylePeriodDisp lay
Renaissance
Style Period
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Work Type 1:
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tondo
Work_Worktype1
tondo
Work Type 1
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Work Type 2:
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painting (visual work)
Work_Worktype2
painting (visual work)
Work Type 2
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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tempera on wood panel
Work_MaterialDisplay
tempera on wood panel
Material
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Technique:
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painting and painting techniques
Work_Technique
painting and painting techniques
Technique
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Subjects:
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landscape; New Testament; Angels; Mary, Blessed Virgin, Saint
Work_Image_SubjectDi splay
landscape; New Testament; Angels; Mary, Blessed Virgin, Saint
Subjects
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Description:
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Certain parts of this painting, such as the angel's wings and the Virgin's tunic are unfinished. This indicates the master painted the most demanding and important elements of the commission, and left the rest to workshop assistants. The tondo is of unknown provenance and was recorded as being in the Uffizi as early as 1704. [Info from museum label.]
Work_Description_Sou rce
Certain parts of this painting, such as the angel's wings and the Virgin's tunic are unfinished. This indicates the master painted the most demanding and important elements of the commission, and left the rest to workshop assistants. The tondo is of unknown provenance and was recorded as being in the Uffizi as early as 1704. [Info from museum label.]
Description
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Collection:
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Adjunct Module B: Italian Art
LocalCollection
Adjunct Module B: Italian Art
Collection
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Identifier:
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7A1-CREDI-UG-ACC-A01
Image_OriginalVendor ID
7A1-CREDI-UG-ACC-A01
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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