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Collection:
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ADJUNCT MODULE B: ITALIAN ART
LocalCollection
ADJUNCT MODULE B: ITALIAN ART
Collection
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Preferred Title:
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Saint Dominic Adoring the Crucifixion (cell 17)
Work_PrefTitle
Saint Dominic Adoring the Crucifixion (cell 17)
Preferred Title
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Alternate Title:
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Crucifixion with St. Dominic
Work_AltTitle
Crucifixion with St. Dominic
Alternate Title
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Image View:
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Overall view, St. Dominic kneeling at the base of the cross
Image_Title
Overall view, St. Dominic kneeling at the base of the cross
Image View
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Creator:
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attributed to Benozzo Gozzoli (Italian painter, ca. 1421-1497); Fra Angelico (Italian painter, ca. 1400-1455)
Agent_Display
attributed to Benozzo Gozzoli (Italian painter, ca. 1421-1497); Fra Angelico (Italian painter, ca. 1400-1455)
Creator
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Location:
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repository: Museo di San Marco (Florence, Tuscany, Italy)
Work_Location_Type_D isplay
repository: Museo di San Marco (Florence, Tuscany, Italy)
Location
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Location Note:
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Convent of San Marco, Dormitory; Piazza San Marco 3
Work_LocationNotes
Convent of San Marco, Dormitory; Piazza San Marco 3
Location Note
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GPS:
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43.778198 11.259329
GPS
43.778198 11.259329
GPS
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Date:
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ca. 1442 (creation)
Work_DateDisplay
ca. 1442 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Fifteenth century; Renaissance
Work_StylePeriodDisp lay
Fifteenth century; Renaissance
Style Period
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Work Type 1:
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fresco (painting)
Work_Worktype1
fresco (painting)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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pigment on plaster
Work_MaterialDisplay
pigment on plaster
Material
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Technique:
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fresco painting (technique)
Work_Technique
fresco painting (technique)
Technique
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Measurements:
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155 cm (height) x 80 cm (width)
Work_MeasurementDisp lay
155 cm (height) x 80 cm (width)
Measurements
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Subjects:
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New Testament; saints; Dominicans; Jesus Christ
Work_Image_SubjectDi splay
New Testament; saints; Dominicans; Jesus Christ
Subjects
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Description:
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Fra Angelico's direct participation in painting the San Marco frescoes seems to have diminished, while that of Benozzo Gozzoli and his other assistants increased. This is especially evident in the images of the Crucifixion with St. Dominic in the novices' cells 17 an 20 of the south corridor, on which construction began in 1441. The frescoes were completed in only two days each. They seem to have been painted almost entirely by Benozzo Gozzoli, as is evident in the linear description of Christ's idealized anatomy, especially his ribcage, and the uninflected modeling of Dominic's habit. (Source: Web Gallery of Art; http://www.wga.hu/in dex.html)
Work_Description_Sou rce
Fra Angelico's direct participation in painting the San Marco frescoes seems to have diminished, while that of Benozzo Gozzoli and his other assistants increased. This is especially evident in the images of the Crucifixion with St. Dominic in the novices' cells 17 an 20 of the south corridor, on which construction began in 1441. The frescoes were completed in only two days each. They seem to have been painted almost entirely by Benozzo Gozzoli, as is evident in the linear description of Christ's idealized anatomy, especially his ribcage, and the uninflected modeling of Dominic's habit. (Source: Web Gallery of Art; http://www.wga.hu/in dex.html)
Description
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Collection:
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Adjunct Module B: Italian Art
LocalCollection
Adjunct Module B: Italian Art
Collection
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Identifier:
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7A1-FA-CSM-SDA-A01
Image_OriginalVendor ID
7A1-FA-CSM-SDA-A01
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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