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Collection:
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ADJUNCT MODULE B: ITALIAN ART
LocalCollection
ADJUNCT MODULE B: ITALIAN ART
Collection
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Preferred Title:
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Adoration of the Magi (cell 39)
Work_PrefTitle
Adoration of the Magi (cell 39)
Preferred Title
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Image View:
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Detail, one of the three Magi, Caspar, kneels before Mary and the Christ Child
Image_Title
Detail, one of the three Magi, Caspar, kneels before Mary and the Christ Child
Image View
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Creator:
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Benozzo Gozzoli (Italian painter, ca. 1421-1497)
Agent_Display
Benozzo Gozzoli (Italian painter, ca. 1421-1497)
Creator
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Location:
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repository: Museo di San Marco (Florence, Tuscany, Italy)
Work_Location_Type_D isplay
repository: Museo di San Marco (Florence, Tuscany, Italy)
Location
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Location Note:
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Convent of San Marco, Dormitory
Work_LocationNotes
Convent of San Marco, Dormitory
Location Note
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GPS:
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43.778198 11.259329
GPS
43.778198 11.259329
GPS
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Date:
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ca. 1441-1442 (creation)
Work_DateDisplay
ca. 1441-1442 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Fifteenth century; Renaissance
Work_StylePeriodDisp lay
Fifteenth century; Renaissance
Style Period
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Work Type 1:
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fresco (painting)
Work_Worktype1
fresco (painting)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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pigment on plaster
Work_MaterialDisplay
pigment on plaster
Material
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Technique:
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fresco painting (technique)
Work_Technique
fresco painting (technique)
Technique
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Measurements:
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1175 cm (height, including tabernacle) x 357 cm (width, including tabernacle)
Work_MeasurementDisp lay
1175 cm (height, including tabernacle) x 357 cm (width, including tabernacle)
Measurements
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Subjects:
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New Testament; Medici family; Medici, Cosimo de', 1389-1464; nativity; Holy Family
Work_Image_SubjectDi splay
New Testament; Medici family; Medici, Cosimo de', 1389-1464; nativity; Holy Family
Subjects
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Description:
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Cell 38 and 39 were intended for Cosimo de' Medici, who belonged to the community by virtue of his patronage, and are larger and more opulently decorated. These two were decorated, appropriately, with a Crucifixion with Patron Saints of the Medici Family in Cell 38 and the Adoration of the Magi, a subject with strong Medicean associations, in Cell 39. The Adoration of the Magi and the image of Christ as Man of Sorrows in the recessed tabernacle below met Cosimo's gaze once he ascended the stairs to Cell 39. Benozzo Gozzoli, whose style closely resembled that of Angelico, and an assistant painted these frescoes. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
Cell 38 and 39 were intended for Cosimo de' Medici, who belonged to the community by virtue of his patronage, and are larger and more opulently decorated. These two were decorated, appropriately, with a Crucifixion with Patron Saints of the Medici Family in Cell 38 and the Adoration of the Magi, a subject with strong Medicean associations, in Cell 39. The Adoration of the Magi and the image of Christ as Man of Sorrows in the recessed tabernacle below met Cosimo's gaze once he ascended the stairs to Cell 39. Benozzo Gozzoli, whose style closely resembled that of Angelico, and an assistant painted these frescoes. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Adjunct Module B: Italian Art
LocalCollection
Adjunct Module B: Italian Art
Collection
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Identifier:
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7A1-GOZZ--CSM-AMM-A0 2
Image_OriginalVendor ID
7A1-GOZZ--CSM-AMM-A0 2
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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