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Collection:
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ADJUNCT MODULE B: ITALIAN ART
LocalCollection
ADJUNCT MODULE B: ITALIAN ART
Collection
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Preferred Title:
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Pomona
Work_PrefTitle
Pomona
Preferred Title
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Image View:
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Overall view from front
Image_Title
Overall view from front
Image View
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Creator:
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Marino Marini (Italian sculptor, 1901-1980)
Agent_Display
Marino Marini (Italian sculptor, 1901-1980)
Creator
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Location:
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repository: Museo di Marino Marini (Florence, Tuscany, Italy)
Work_Location_Type_D isplay
repository: Museo di Marino Marini (Florence, Tuscany, Italy)
Location
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Location Note:
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in the former church of San Pancrazio
Work_LocationNotes
in the former church of San Pancrazio
Location Note
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GPS:
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43.771836 11.249975
GPS
43.771836 11.249975
GPS
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Date:
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1945 (creation)
Work_DateDisplay
1945 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Twentieth century
Work_StylePeriodDisp lay
Twentieth century
Style Period
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Work Type 1:
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sculpture (visual work)
Work_Worktype1
sculpture (visual work)
Work Type 1
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Classification:
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Sculpture and Installations
Work_Classification
Sculpture and Installations
Classification
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Material:
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bronze
Work_MaterialDisplay
bronze
Material
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Technique:
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casting (process)
Work_Technique
casting (process)
Technique
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Measurements:
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162 cm (height) x 66 cm (width) x 53 cm (depth)
Work_MeasurementDisp lay
162 cm (height) x 66 cm (width) x 53 cm (depth)
Measurements
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Subjects:
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human figure; nude in art
Work_Image_SubjectDi splay
human figure; nude in art
Subjects
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Description:
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The series of female nudes were inspired by Pomona, the Etruscan goddess of fertility, who became, for Marino, the symbol of a rural, harmonious and peaceful world, in other words, Mother Nature. During World War II he was in Locarno, Switzerland, where he befriended Giacometti, Fritz Wotruba and Hermann Haller. During this time he sculpted sensual, enigmatic female nudes, sometimes lacking head or arms in order to stress their resemblance to fragments of antique (Etruscan) sculpture. These included the Pomona series. In 1946 he returned to Milan. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
The series of female nudes were inspired by Pomona, the Etruscan goddess of fertility, who became, for Marino, the symbol of a rural, harmonious and peaceful world, in other words, Mother Nature. During World War II he was in Locarno, Switzerland, where he befriended Giacometti, Fritz Wotruba and Hermann Haller. During this time he sculpted sensual, enigmatic female nudes, sometimes lacking head or arms in order to stress their resemblance to fragments of antique (Etruscan) sculpture. These included the Pomona series. In 1946 he returned to Milan. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Adjunct Module B: Italian Art
LocalCollection
Adjunct Module B: Italian Art
Collection
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Identifier:
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7A1-MARINI-MM-P2-A04
Image_OriginalVendor ID
7A1-MARINI-MM-P2-A04
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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