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Collection:
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ADJUNCT MODULE B: ITALIAN ART
LocalCollection
ADJUNCT MODULE B: ITALIAN ART
Collection
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Preferred Title:
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Sala di Galatea Ceiling; Spandrels, Lunettes and Vaults
Work_PrefTitle
Sala di Galatea Ceiling; Spandrels, Lunettes and Vaults
Preferred Title
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Image View:
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Panel of Hercules and the Hydra, detail
Image_Title
Panel of Hercules and the Hydra, detail
Image View
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Creator:
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Baldassarre Peruzzi (Italian painter, 1481-1536); Sebastiano del Piombo (Italian painter, ca. 1485-1547)
Agent_Display
Baldassarre Peruzzi (Italian painter, 1481-1536); Sebastiano del Piombo (Italian painter, ca. 1485-1547)
Creator
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Location:
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site: Villa Farnesina (Rome, Lazio, Italy)
Work_Location_Type_D isplay
site: Villa Farnesina (Rome, Lazio, Italy)
Location
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Location Note:
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Via della Lungara, 230; Sala di Galatea
Work_LocationNotes
Via della Lungara, 230; Sala di Galatea
Location Note
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GPS:
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41.893611 12.4675
GPS
41.893611 12.4675
GPS
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Date:
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ca. 1510-1511 (creation)
Work_DateDisplay
ca. 1510-1511 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Renaissance; Sixteenth century
Work_StylePeriodDisp lay
Renaissance; Sixteenth century
Style Period
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Work Type 1:
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fresco (painting)
Work_Worktype1
fresco (painting)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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pigment on plaster
Work_MaterialDisplay
pigment on plaster
Material
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Technique:
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fresco painting (technique); grisaille
Work_Technique
fresco painting (technique); grisaille
Technique
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Relation Work:
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partOf Villa Farnesina
RelationType1_Work_R elatedWork1
partOf Villa Farnesina
Relation Work
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Subjects:
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allegory; literary or legendary; mythology (Classical); Chigi, Agostino, 1466-1520; Ovid, 43 B.C.-17 A.D. or 18 A.D.
Work_Image_SubjectDi splay
allegory; literary or legendary; mythology (Classical); Chigi, Agostino, 1466-1520; Ovid, 43 B.C.-17 A.D. or 18 A.D.
Subjects
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Description:
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Originally the Sala di Galatea opened to the landscape on two sides through arcades. The vault of the loggia was decorated by Peruzzi in 1510-11 with a system of architectonic fields painted with deceptive realism that contain a number of mythological figures against a blue sky. The artist based their appearance and form on numerous ancient sculptures. The twelve signs of the zodiac are distributed above the ten spandrels, to which are added, corresponding to their positions in the sky, the gods of the planets. Peruzzi also frescoed one of the lunettes with a monumental grisaille head, a showpiece of pure expressive artistry. The other lunettes were painted in the fall of 1511 by Sebastiano del Piombo with a number of scenes of metamorphosis from Ovid. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
Originally the Sala di Galatea opened to the landscape on two sides through arcades. The vault of the loggia was decorated by Peruzzi in 1510-11 with a system of architectonic fields painted with deceptive realism that contain a number of mythological figures against a blue sky. The artist based their appearance and form on numerous ancient sculptures. The twelve signs of the zodiac are distributed above the ten spandrels, to which are added, corresponding to their positions in the sky, the gods of the planets. Peruzzi also frescoed one of the lunettes with a monumental grisaille head, a showpiece of pure expressive artistry. The other lunettes were painted in the fall of 1511 by Sebastiano del Piombo with a number of scenes of metamorphosis from Ovid. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Adjunct Module B: Italian Art
LocalCollection
Adjunct Module B: Italian Art
Collection
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Identifier:
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7A1-PERUZ-VF-HG-C-B0 7
Image_OriginalVendor ID
7A1-PERUZ-VF-HG-C-B0 7
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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