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Collection:
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ADJUNCT MODULE B: ITALIAN ART
LocalCollection
ADJUNCT MODULE B: ITALIAN ART
Collection
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Preferred Title:
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Hall of Perspectives; Trompe l'oeil Loggias
Work_PrefTitle
Hall of Perspectives; Trompe l'oeil Loggias
Preferred Title
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Image View:
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Detail, fictional landscape beyond columns and balustrade
Image_Title
Detail, fictional landscape beyond columns and balustrade
Image View
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Creator:
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Baldassarre Peruzzi (Italian painter, 1481-1536)
Agent_Display
Baldassarre Peruzzi (Italian painter, 1481-1536)
Creator
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Location:
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site: Villa Farnesina (Rome, Lazio, Italy)
Work_Location_Type_D isplay
site: Villa Farnesina (Rome, Lazio, Italy)
Location
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Location Note:
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Via della Lungara, 230; Sala delle Prospettive
Work_LocationNotes
Via della Lungara, 230; Sala delle Prospettive
Location Note
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GPS:
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41.893611 12.4675
GPS
41.893611 12.4675
GPS
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Date:
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1516-1517 (creation)
Work_DateDisplay
1516-1517 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Renaissance; Sixteenth century
Work_StylePeriodDisp lay
Renaissance; Sixteenth century
Style Period
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Work Type 1:
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fresco (painting)
Work_Worktype1
fresco (painting)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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pigment on plaster
Work_MaterialDisplay
pigment on plaster
Material
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Technique:
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fresco painting (technique)
Work_Technique
fresco painting (technique)
Technique
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Relation Work:
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partOf Villa Farnesina
RelationType1_Work_R elatedWork1
partOf Villa Farnesina
Relation Work
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Subjects:
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architecture; cityscape; decorative arts; landscape; trompe l'oeil; faux marbre; illusionist
Work_Image_SubjectDi splay
architecture; cityscape; decorative arts; landscape; trompe l'oeil; faux marbre; illusionist
Subjects
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Description:
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In the Sala delle Prospettive on the upper story of the Villa Farnesina, Peruzzi revived illusionistic Classical techniques of mural painting. The perspective was planned to function correctly when the observer is standing toward the left of the room. Peruzzi has designed a splendid architecture of dark, veined marble piers and columns with gilded capitals that incorporates the actual veined marble door frames in the room. The frescoed architecture is so precisely painted that it is almost impossible to distinguish where the real marble ends and the illusion begins. Through the lofty columns one looks out to a painted terrace that opens onto a continuous fictive landscape showing some of the major sites of ancient Rome. Vasari took Titian to see the work and reported that he was amazed 'and could not believe that it was really just a painting'. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
In the Sala delle Prospettive on the upper story of the Villa Farnesina, Peruzzi revived illusionistic Classical techniques of mural painting. The perspective was planned to function correctly when the observer is standing toward the left of the room. Peruzzi has designed a splendid architecture of dark, veined marble piers and columns with gilded capitals that incorporates the actual veined marble door frames in the room. The frescoed architecture is so precisely painted that it is almost impossible to distinguish where the real marble ends and the illusion begins. Through the lofty columns one looks out to a painted terrace that opens onto a continuous fictive landscape showing some of the major sites of ancient Rome. Vasari took Titian to see the work and reported that he was amazed 'and could not believe that it was really just a painting'. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Adjunct Module B: Italian Art
LocalCollection
Adjunct Module B: Italian Art
Collection
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Identifier:
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7A1-PERUZ-VF-HP-LW-A 08
Image_OriginalVendor ID
7A1-PERUZ-VF-HP-LW-A 08
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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