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Collection:
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ADJUNCT MODULE B: ITALIAN ART
LocalCollection
ADJUNCT MODULE B: ITALIAN ART
Collection
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Preferred Title:
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View of an Ideal City
Work_PrefTitle
View of an Ideal City
Preferred Title
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Alternate Title:
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Veduta di città ideale
Work_AltTitle
Veduta di città ideale
Alternate Title
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Image View:
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Detail, a large palazzo
Image_Title
Detail, a large palazzo
Image View
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Creator:
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unknown (Italian) painter
Agent_Display
unknown (Italian) painter
Creator
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Location:
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repository: Galleria Nazionale delle Marche (Urbino, Marches, Italy)
Work_Location_Type_D isplay
repository: Galleria Nazionale delle Marche (Urbino, Marches, Italy)
Location
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Location Note:
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Palazzo Ducale di Urbino Piazza Rinascimento 13
Work_LocationNotes
Palazzo Ducale di Urbino Piazza Rinascimento 13
Location Note
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GPS:
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43.723333 12.637778
GPS
43.723333 12.637778
GPS
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Date:
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ca. 1490-1499 (creation)
Work_DateDisplay
ca. 1490-1499 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Fifteenth century; Renaissance
Work_StylePeriodDisp lay
Fifteenth century; Renaissance
Style Period
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Work Type 1:
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panel painting
Work_Worktype1
panel painting
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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tempera paint on wood panel
Work_MaterialDisplay
tempera paint on wood panel
Material
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Technique:
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painting and painting techniques
Work_Technique
painting and painting techniques
Technique
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Measurements:
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67 cm (height) x 238 cm (width)
Work_MeasurementDisp lay
67 cm (height) x 238 cm (width)
Measurements
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Subjects:
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cityscape; ideal cities
Work_Image_SubjectDi splay
cityscape; ideal cities
Subjects
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Description:
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Formerly attributed to Piero della Francesca, who was also a mathematician. Other attributions include Luciano Laurana. Baldi attributed to Laurana architectural perspective drawings, which some writers (e.g. Budinich, Kimball, Krautheimer) have identified as three perspective views of Urbino (Baltimore, MD, Walters A.G.; Berlin, Gemäldegal.; Urbino, Pal. Ducale). The architectural forms of the buildings, however, seem closer to those of Giuliano da Sangallo. Melozzo da Forlì has also been mentioned as a possible creator. It shows Classically influenced architecture disposed in a logically planned piazza. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
Formerly attributed to Piero della Francesca, who was also a mathematician. Other attributions include Luciano Laurana. Baldi attributed to Laurana architectural perspective drawings, which some writers (e.g. Budinich, Kimball, Krautheimer) have identified as three perspective views of Urbino (Baltimore, MD, Walters A.G.; Berlin, Gemäldegal.; Urbino, Pal. Ducale). The architectural forms of the buildings, however, seem closer to those of Giuliano da Sangallo. Melozzo da Forlì has also been mentioned as a possible creator. It shows Classically influenced architecture disposed in a logically planned piazza. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Adjunct Module B: Italian Art
LocalCollection
Adjunct Module B: Italian Art
Collection
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Identifier:
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7A1-PIERO-GNM-IC-A19
Image_OriginalVendor ID
7A1-PIERO-GNM-IC-A19
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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