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Collection:
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ADJUNCT MODULE B: ITALIAN ART
LocalCollection
ADJUNCT MODULE B: ITALIAN ART
Collection
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Preferred Title:
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Capponi Chapel; Deposition
Work_PrefTitle
Capponi Chapel; Deposition
Preferred Title
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Alternate Title:
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Lamentation
Work_AltTitle
Lamentation
Alternate Title
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Image View:
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Detail, a young woman attending Mary; use of high-key colors in unusual combinations
Image_Title
Detail, a young woman attending Mary; use of high-key colors in unusual combinations
Image View
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Creator:
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Pontormo (Italian painter, 1494-1557)
Agent_Display
Pontormo (Italian painter, 1494-1557)
Creator
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Location:
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repository: Santa Felicita (Florence, Tuscany, Italy)
Work_Location_Type_D isplay
repository: Santa Felicita (Florence, Tuscany, Italy)
Location
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Location Note:
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Cappella Capponi
Work_LocationNotes
Cappella Capponi
Location Note
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GPS:
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43.766833 11.252636
GPS
43.766833 11.252636
GPS
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Date:
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ca. 1528 (creation)
Work_DateDisplay
ca. 1528 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Mannerist (Renaissance-Baroque style); Sixteenth century
Work_StylePeriodDisp lay
Mannerist (Renaissance-Baroque style); Sixteenth century
Style Period
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Work Type 1:
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altarpiece
Work_Worktype1
altarpiece
Work Type 1
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Work Type 2:
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panel painting
Work_Worktype2
panel painting
Work Type 2
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil paint on wood panel
Work_MaterialDisplay
oil paint on wood panel
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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313 cm (height) x 192 cm (width)
Work_MeasurementDisp lay
313 cm (height) x 192 cm (width)
Measurements
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Subjects:
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New Testament; Jesus Christ; Mary, Blessed Virgin, Saint
Work_Image_SubjectDi splay
New Testament; Jesus Christ; Mary, Blessed Virgin, Saint
Subjects
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Description:
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In 1525-1528 Pontormo painted the most important ensemble of his maturity, the decoration of the Capponi Chapel in S Felìcita, Florence (in situ). The altarpiece shows the Lamentation; in the pendentives of the dome are tondi of St John the Evangelist, St Matthew, St Luke, and St Mark, and on the side wall is a fresco of the Annunciation. In the Lamentation, generally acknowledged to be his masterpiece, Pontormo combined a new sense of ornamental beauty, polished surfaces and exquisitely refined line with the insubstantial, floating forms, the spatial irrationality and the poignant communication of feeling that are hallmarks of his Mannerism. The colors, high-keyed, clear blues, acid greens and pinks, with little light and shade, intensify the picture’s strange and haunting grace. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
In 1525-1528 Pontormo painted the most important ensemble of his maturity, the decoration of the Capponi Chapel in S Felìcita, Florence (in situ). The altarpiece shows the Lamentation; in the pendentives of the dome are tondi of St John the Evangelist, St Matthew, St Luke, and St Mark, and on the side wall is a fresco of the Annunciation. In the Lamentation, generally acknowledged to be his masterpiece, Pontormo combined a new sense of ornamental beauty, polished surfaces and exquisitely refined line with the insubstantial, floating forms, the spatial irrationality and the poignant communication of feeling that are hallmarks of his Mannerism. The colors, high-keyed, clear blues, acid greens and pinks, with little light and shade, intensify the picture’s strange and haunting grace. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Adjunct Module B: Italian Art
LocalCollection
Adjunct Module B: Italian Art
Collection
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Identifier:
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7A1-PONT-CC-D-A22
Image_OriginalVendor ID
7A1-PONT-CC-D-A22
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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