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Collection:
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ADJUNCT MODULE B: ITALIAN ART
LocalCollection
ADJUNCT MODULE B: ITALIAN ART
Collection
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Preferred Title:
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Annunciation
Work_PrefTitle
Annunciation
Preferred Title
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Alternate Title:
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Annunciazione
Work_AltTitle
Annunciazione
Alternate Title
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Image View:
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Detail, God the Father appears in an aureole; instead of the Dove of the Holy Spirit, a representation of the baby Jesus carrying a cross flies to Mary
Image_Title
Detail, God the Father appears in an aureole; instead of the Dove of the Holy Spirit, a representation of the baby Jesus carrying a cross flies to Mary
Image View
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Creator:
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Giovanni Santi (Italian painter, 1430 or 1440-1494)
Agent_Display
Giovanni Santi (Italian painter, 1430 or 1440-1494)
Creator
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Location:
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repository: Brera Museum (Milan, Lombardy, Italy)
Work_Location_Type_D isplay
repository: Brera Museum (Milan, Lombardy, Italy)
Location
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Location Note:
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Pinacoteca di Brera; Via Brera 28
Work_LocationNotes
Pinacoteca di Brera; Via Brera 28
Location Note
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GPS:
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45.471944 9.188056
GPS
45.471944 9.188056
GPS
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Date:
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ca. 1470-1494 (creation)
Work_DateDisplay
ca. 1470-1494 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Fifteenth century; Renaissance
Work_StylePeriodDisp lay
Fifteenth century; Renaissance
Style Period
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Work Type 1:
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panel painting
Work_Worktype1
panel painting
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil paint on wood panel
Work_MaterialDisplay
oil paint on wood panel
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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228 cm (height) x 158 cm (width)
Work_MeasurementDisp lay
228 cm (height) x 158 cm (width)
Measurements
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Subjects:
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New Testament; saints; Gabriel (Archangel); Mary, Blessed Virgin, Saint
Work_Image_SubjectDi splay
New Testament; saints; Gabriel (Archangel); Mary, Blessed Virgin, Saint
Subjects
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Description:
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Santi was a painter and writer. He was the father of Raphael. In his early works, Santi seems to have borrowed from the paintings of Pietro Perugino (who may have visited Urbino in the 1470s), particularly in his use of spacious landscape backgrounds. Yet, Melozzo da Forlì was his most influential master. Melozzo’s painted figures, with their crisply modelled draperies and vigorous foreshortening, proved distinctive models. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
Santi was a painter and writer. He was the father of Raphael. In his early works, Santi seems to have borrowed from the paintings of Pietro Perugino (who may have visited Urbino in the 1470s), particularly in his use of spacious landscape backgrounds. Yet, Melozzo da Forlì was his most influential master. Melozzo’s painted figures, with their crisply modelled draperies and vigorous foreshortening, proved distinctive models. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Adjunct Module B: Italian Art
LocalCollection
Adjunct Module B: Italian Art
Collection
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Identifier:
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7A1-SANTI-PB-A-A05
Image_OriginalVendor ID
7A1-SANTI-PB-A-A05
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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