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Collection:
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ADJUNCT MODULE B: ITALIAN ART
LocalCollection
ADJUNCT MODULE B: ITALIAN ART
Collection
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Preferred Title:
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Paradise
Work_PrefTitle
Paradise
Preferred Title
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Image View:
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Detail, Mary and Jesus at top center surrounded by angels and saints
Image_Title
Detail, Mary and Jesus at top center surrounded by angels and saints
Image View
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Creator:
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Jacopo Tintoretto (Italian painter, 1519-1594)
Agent_Display
Jacopo Tintoretto (Italian painter, 1519-1594)
Creator
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Location:
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repository: Palazzo Ducale (Venice, Veneto, Italy)
Work_Location_Type_D isplay
repository: Palazzo Ducale (Venice, Veneto, Italy)
Location
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Location Note:
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Doge's Palace, Piazza San Marco 1; Sala del Senato (Hall of the Senate)
Work_LocationNotes
Doge's Palace, Piazza San Marco 1; Sala del Senato (Hall of the Senate)
Location Note
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GPS:
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45.4339 12.34
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Date:
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1588-1590 (creation)
Work_DateDisplay
1588-1590 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Mannerist (Renaissance-Baroque style); Sixteenth century
Work_StylePeriodDisp lay
Mannerist (Renaissance-Baroque style); Sixteenth century
Style Period
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Work Type 1:
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mural painting (visual work)
Work_Worktype1
mural painting (visual work)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil paint on canvas, applied to wall
Work_MaterialDisplay
oil paint on canvas, applied to wall
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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29.9 ft (height) x 74.1 ft (width)
Work_MeasurementDisp lay
29.9 ft (height) x 74.1 ft (width)
Measurements
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Subjects:
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New Testament; saints; Angels; Jesus Christ; Mary, Blessed Virgin, Saint
Work_Image_SubjectDi splay
New Testament; saints; Angels; Jesus Christ; Mary, Blessed Virgin, Saint
Subjects
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Description:
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Tintoretto’s career ended on a note of triumph. After Veronese’s death in 1588, he finally gained the coveted commission for the painting of the Paradise (1588-1590), which Veronese had not begun, in the Doge’s Palace. Major fires in the Doge's Palace in 1574 and 1577 necessitated the wholesale renovation of its decoration; Tintoretto was charged with replacement of Guariento's 1365 Coronation of the Virgin, located behind the dais on which the doge sat. However, the focus of Tintoretto's Paradise composition was to be Christ rather than Mary, with seething crowds of saints and angels purposefully suggesting a Last Judgment, a fit subject for the Great Council chamber. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
Tintoretto’s career ended on a note of triumph. After Veronese’s death in 1588, he finally gained the coveted commission for the painting of the Paradise (1588-1590), which Veronese had not begun, in the Doge’s Palace. Major fires in the Doge's Palace in 1574 and 1577 necessitated the wholesale renovation of its decoration; Tintoretto was charged with replacement of Guariento's 1365 Coronation of the Virgin, located behind the dais on which the doge sat. However, the focus of Tintoretto's Paradise composition was to be Christ rather than Mary, with seething crowds of saints and angels purposefully suggesting a Last Judgment, a fit subject for the Great Council chamber. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Adjunct Module B: Italian Art
LocalCollection
Adjunct Module B: Italian Art
Collection
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Identifier:
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7A1-TITIAN-DP-P-A03
Image_OriginalVendor ID
7A1-TITIAN-DP-P-A03
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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