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Collection:
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ADJUNCT MODULE B: ITALIAN ART
LocalCollection
ADJUNCT MODULE B: ITALIAN ART
Collection
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Preferred Title:
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Triumph of Venice
Work_PrefTitle
Triumph of Venice
Preferred Title
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Alternate Title:
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Triumph of Venice as Queen of the Sea
Work_AltTitle
Triumph of Venice as Queen of the Sea
Alternate Title
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Image View:
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Detail, top of the painting with the personification of Venice
Image_Title
Detail, top of the painting with the personification of Venice
Image View
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Creator:
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Jacopo Tintoretto (Italian painter, 1519-1594)
Agent_Display
Jacopo Tintoretto (Italian painter, 1519-1594)
Creator
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Location:
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repository: Palazzo Ducale (Venice, Veneto, Italy)
Work_Location_Type_D isplay
repository: Palazzo Ducale (Venice, Veneto, Italy)
Location
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Location Note:
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Doge's Palace, Piazza San Marco 1; Sala del Senato (Hall of the Senate)
Work_LocationNotes
Doge's Palace, Piazza San Marco 1; Sala del Senato (Hall of the Senate)
Location Note
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GPS:
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45.4339 12.34
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Date:
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ca. 1582-1584 (creation)
Work_DateDisplay
ca. 1582-1584 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Mannerist (Renaissance-Baroque style); Renaissance; Sixteenth century
Work_StylePeriodDisp lay
Mannerist (Renaissance-Baroque style); Renaissance; Sixteenth century
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Work Type 2:
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ceiling
Work_Worktype2
ceiling
Work Type 2
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil on canvas, attached to ceiling
Work_MaterialDisplay
oil on canvas, attached to ceiling
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Subjects:
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allegory; mythology (Classical); Neptune (Roman deity); Triton (Greek deity); Late Renaissance; sea deities
Work_Image_SubjectDi splay
allegory; mythology (Classical); Neptune (Roman deity); Triton (Greek deity); Late Renaissance; sea deities
Subjects
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Description:
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Tintoretto had multiple commissions in the Doge's Palace, a sequence of votive and ceiling paintings executed in the important State rooms of the Doge’s Palace. The wooden part of the ceiling of the Hall of the Senate (Sala del Senato) was completed in 1587. The pictorial work began to be realized in 1581 and went on for many years, well beyond 1603. The central painting by Tintoretto (with the assistance of his son, Domenico Robusti) portrays the Triumph of Venice as an ascending vortex of mythological sea creatures which rise towards Venice, seated above, to offer gifts and recognition. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
Tintoretto had multiple commissions in the Doge's Palace, a sequence of votive and ceiling paintings executed in the important State rooms of the Doge’s Palace. The wooden part of the ceiling of the Hall of the Senate (Sala del Senato) was completed in 1587. The pictorial work began to be realized in 1581 and went on for many years, well beyond 1603. The central painting by Tintoretto (with the assistance of his son, Domenico Robusti) portrays the Triumph of Venice as an ascending vortex of mythological sea creatures which rise towards Venice, seated above, to offer gifts and recognition. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Adjunct Module B: Italian Art
LocalCollection
Adjunct Module B: Italian Art
Collection
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Identifier:
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7A1-TITIAN-DP-TV-A02
Image_OriginalVendor ID
7A1-TITIAN-DP-TV-A02
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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