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Collection:
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ADJUNCT MODULE B: ITALIAN ART
LocalCollection
ADJUNCT MODULE B: ITALIAN ART
Collection
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Preferred Title:
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Annunciation
Work_PrefTitle
Annunciation
Preferred Title
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Alternate Title:
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Annunciazione
Work_AltTitle
Annunciazione
Alternate Title
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Image View:
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Detail, drapery of lower figure of the Virgin Mary
Image_Title
Detail, drapery of lower figure of the Virgin Mary
Image View
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Creator:
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Leonardo da Vinci (Italian painter, 1452-1519)
Agent_Display
Leonardo da Vinci (Italian painter, 1452-1519)
Creator
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Location:
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repository: Galleria degli Uffizi (Florence, Tuscany, Italy) Inv. 1890 no. 1618
Work_Location_Type_D isplay
repository: Galleria degli Uffizi (Florence, Tuscany, Italy) Inv. 1890 no. 1618
Location
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Location Note:
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Piazzale degli Uffizi
Work_LocationNotes
Piazzale degli Uffizi
Location Note
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GPS:
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43.768639 11.255214
GPS
43.768639 11.255214
GPS
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Date:
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1472-1475 (creation)
Work_DateDisplay
1472-1475 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Fifteenth century; Renaissance
Work_StylePeriodDisp lay
Fifteenth century; Renaissance
Style Period
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Work Type 1:
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panel painting
Work_Worktype1
panel painting
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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tempera and oil paint on wood panel
Work_MaterialDisplay
tempera and oil paint on wood panel
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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98 cm (height) x 217 cm (width)
Work_MeasurementDisp lay
98 cm (height) x 217 cm (width)
Measurements
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Subjects:
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botanical; New Testament; Gabriel (Archangel); Mary, Blessed Virgin, Saint
Work_Image_SubjectDi splay
botanical; New Testament; Gabriel (Archangel); Mary, Blessed Virgin, Saint
Subjects
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Description:
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The work came to the Uffizi in 1867 from the monastery of San Bartolomeo of Monteoliveto, near Florence. It was ascribed to Domenico Ghirlandaio until 1869, when some critics recognized it as a youthful work by Leonardo, executed around 1472-1475, when he was still an apprentice in the workshop of his master, Andrea del Verrocchio. The sacred scene is set in the garden of a Florentine palace, with a landscape on the background which is already peculiarly Leonardesque. The plants in the meadow, the 'flowery mede' are painted with exquisite and accurate detail. The marble table in front of the Virgin probably quotes the tomb of Piero and Giovanni dei Medici in the church of San Lorenzo sculpted by Verrocchio in this period. (Source: Web Gallery of Art; http://www.wga.hu/in dex.html)
Work_Description_Sou rce
The work came to the Uffizi in 1867 from the monastery of San Bartolomeo of Monteoliveto, near Florence. It was ascribed to Domenico Ghirlandaio until 1869, when some critics recognized it as a youthful work by Leonardo, executed around 1472-1475, when he was still an apprentice in the workshop of his master, Andrea del Verrocchio. The sacred scene is set in the garden of a Florentine palace, with a landscape on the background which is already peculiarly Leonardesque. The plants in the meadow, the 'flowery mede' are painted with exquisite and accurate detail. The marble table in front of the Virgin probably quotes the tomb of Piero and Giovanni dei Medici in the church of San Lorenzo sculpted by Verrocchio in this period. (Source: Web Gallery of Art; http://www.wga.hu/in dex.html)
Description
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Collection:
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Adjunct Module B: Italian Art
LocalCollection
Adjunct Module B: Italian Art
Collection
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Identifier:
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7A1-VINCI-UG-A-A10
Image_OriginalVendor ID
7A1-VINCI-UG-A-A10
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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