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Collection:
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ADJUNCT MODULE B: ITALIAN ART
LocalCollection
ADJUNCT MODULE B: ITALIAN ART
Collection
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Preferred Title:
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Ludovisi Battle Sarcophagus
Work_PrefTitle
Ludovisi Battle Sarcophagus
Preferred Title
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Alternate Title:
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Sarcophagus with battle between Romans and Barbarians
Work_AltTitle
Sarcophagus with battle between Romans and Barbarians
Alternate Title
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Image View:
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Roman in armor with captured Goth
Image_Title
Roman in armor with captured Goth
Image View
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Creator:
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unknown (Roman (ancient) sculptor)
Agent_Display
unknown (Roman (ancient) sculptor)
Creator
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Location:
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repository: Museo Nazionale Romano (Rome, Lazio, Italy) inv. 8574
Work_Location_Type_D isplay
repository: Museo Nazionale Romano (Rome, Lazio, Italy) inv. 8574
Location
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Location Note:
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via Sant’Apollinare, 46 (Palazzo Altemps)
Work_LocationNotes
via Sant’Apollinare, 46 (Palazzo Altemps)
Location Note
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GPS:
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41.901169 12.473062
GPS
41.901169 12.473062
GPS
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Date:
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ca. 250 CE (creation)
Work_DateDisplay
ca. 250 CE (creation)
Date
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Cultural Context:
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Roman (ancient)
Work_Culture
Roman (ancient)
Cultural Context
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Style Period:
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Imperial (Roman)
Work_StylePeriodDisp lay
Imperial (Roman)
Style Period
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Work Type 1:
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sarcophagus
Work_Worktype1
sarcophagus
Work Type 1
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Work Type 2:
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relief (sculpture)
Work_Worktype2
relief (sculpture)
Work Type 2
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Classification:
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Sculpture and Installations
Work_Classification
Sculpture and Installations
Classification
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Material:
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Proconnesus marble
Work_MaterialDisplay
Proconnesus marble
Material
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Technique:
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carving (processes)
Work_Technique
carving (processes)
Technique
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Measurements:
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137 cm (height) x 53 cm (width) x 273 cm (length)
Work_MeasurementDisp lay
137 cm (height) x 53 cm (width) x 273 cm (length)
Measurements
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Subjects:
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death or burial; funerary art; military or war; rulers and leaders; Roman Empire
Work_Image_SubjectDi splay
death or burial; funerary art; military or war; rulers and leaders; Roman Empire
Subjects
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Description:
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Also known as the Via Tiburtina sarcophagus, from the location of its discovery, from a tomb near the Porta Tiburtina. Discovered in 1621 and named for its first modern owner, Ludovico Ludovisi. At the beginning of the 3rd century the excesses of the Antonine stylistic shift, the elongation of figures, giant scale and overcrowding, were abandoned for more conventional proportions and somewhat less mobile forms. This was rapidly followed, up to the middle of the century, by a heightening of expressive mobility in figures and detail (flame-style hair, for example). As in portrait sculpture, a Classical trend was dominant between AD 250 and 280. The barbarians in the work are usually identified as Goths. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
Also known as the Via Tiburtina sarcophagus, from the location of its discovery, from a tomb near the Porta Tiburtina. Discovered in 1621 and named for its first modern owner, Ludovico Ludovisi. At the beginning of the 3rd century the excesses of the Antonine stylistic shift, the elongation of figures, giant scale and overcrowding, were abandoned for more conventional proportions and somewhat less mobile forms. This was rapidly followed, up to the middle of the century, by a heightening of expressive mobility in figures and detail (flame-style hair, for example). As in portrait sculpture, a Classical trend was dominant between AD 250 and 280. The barbarians in the work are usually identified as Goths. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Adjunct Module B: Italian Art
LocalCollection
Adjunct Module B: Italian Art
Collection
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Identifier:
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7A3-R-PAL-LBS-A32
Image_OriginalVendor ID
7A3-R-PAL-LBS-A32
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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