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Collection:
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ADJUNCT MODULE B: ITALIAN ART
LocalCollection
ADJUNCT MODULE B: ITALIAN ART
Collection
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Preferred Title:
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Io Arriving at Canopus in Egypt
Work_PrefTitle
Io Arriving at Canopus in Egypt
Preferred Title
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Alternate Title:
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Io Received by Isis at Canopus
Work_AltTitle
Io Received by Isis at Canopus
Alternate Title
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Image View:
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Overall view, Zeus' paramour Io, left, is received by the goddess Isis in Egypt
Image_Title
Overall view, Zeus' paramour Io, left, is received by the goddess Isis in Egypt
Image View
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Creator:
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unknown (Roman (ancient) painter)
Agent_Display
unknown (Roman (ancient) painter)
Creator
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Location:
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repository: Museo Archeologico Nazionale (Naples, Campania, Italy)
Work_Location_Type_D isplay
repository: Museo Archeologico Nazionale (Naples, Campania, Italy)
Location
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Location Note:
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1380 Sherbrooke Street West (exhibition location)
Work_LocationNotes
1380 Sherbrooke Street West (exhibition location)
Location Note
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GPS:
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45.4987-73.5801
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Date:
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ca. 62-79 CE (creation)
Work_DateDisplay
ca. 62-79 CE (creation)
Date
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Cultural Context:
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Roman (ancient)
Work_Culture
Roman (ancient)
Cultural Context
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Style Period:
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Fourth Style; Greco-Roman; Imperial (Roman)
Work_StylePeriodDisp lay
Fourth Style; Greco-Roman; Imperial (Roman)
Style Period
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Work Type 1:
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fresco (painting)
Work_Worktype1
fresco (painting)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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pigment on plaster
Work_MaterialDisplay
pigment on plaster
Material
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Technique:
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fresco painting (technique)
Work_Technique
fresco painting (technique)
Technique
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Subjects:
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deities; mythology (Classical); Isis cult
Work_Image_SubjectDi splay
deities; mythology (Classical); Isis cult
Subjects
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Description:
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Part of the 2015 "Pompeii" exhibit which featured over 220 archaeological artifacts, most from the Naples National Archaeological Museum. The exhibit was designed to immerse viewers in settings of every day life in Pompeii, complete with state-of-the-art visual effects and soundscapes. The fresco, a rather rare subject, is present in Pompeii only in one other specimen from the Temple of Isis; this is from the House of the Duke of Aumale (VI.7.21). It is certainly derived from a Hellenistic prototype; probably of Alexandrian manufacture and dating to the third century BCE. The theme was inspired by the Ptolomeic dynasty’s need to legitimize its power through images which in some way showed, through myths such as this one, the common origins of the Egyptians and the Macedonians. (Source: Naples National Archaeological Museum [website]; http://cir.campania. beniculturali.it/mus eoarcheologiconazion ale)
Work_Description_Sou rce
Part of the 2015 "Pompeii" exhibit which featured over 220 archaeological artifacts, most from the Naples National Archaeological Museum. The exhibit was designed to immerse viewers in settings of every day life in Pompeii, complete with state-of-the-art visual effects and soundscapes. The fresco, a rather rare subject, is present in Pompeii only in one other specimen from the Temple of Isis; this is from the House of the Duke of Aumale (VI.7.21). It is certainly derived from a Hellenistic prototype; probably of Alexandrian manufacture and dating to the third century BCE. The theme was inspired by the Ptolomeic dynasty’s need to legitimize its power through images which in some way showed, through myths such as this one, the common origins of the Egyptians and the Macedonians. (Source: Naples National Archaeological Museum [website]; http://cir.campania. beniculturali.it/mus eoarcheologiconazion ale)
Description
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Collection:
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Adjunct Module B: Italian Art
LocalCollection
Adjunct Module B: Italian Art
Collection
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Identifier:
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7A3-R-PEX-FLC-A01
Image_OriginalVendor ID
7A3-R-PEX-FLC-A01
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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