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Collection:
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ADJUNCT MODULE C: WORLD ART
LocalCollection
ADJUNCT MODULE C: WORLD ART
Collection
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Preferred Title:
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Pulpit, Pisa Baptistery
Work_PrefTitle
Pulpit, Pisa Baptistery
Preferred Title
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Image View:
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Detail, Presentation in the Temple, figure of baby Jesus has been damaged at center
Image_Title
Detail, Presentation in the Temple, figure of baby Jesus has been damaged at center
Image View
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Creator:
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Nicola Pisano (Italian sculptor, active 1258-1278)
Agent_Display
Nicola Pisano (Italian sculptor, active 1258-1278)
Creator
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Location:
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repository: Battistero di San Giovanni (Pisa, Tuscany, Italy)
Work_Location_Type_D isplay
repository: Battistero di San Giovanni (Pisa, Tuscany, Italy)
Location
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Location Note:
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Baptistery of St. John
Work_LocationNotes
Baptistery of St. John
Location Note
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GPS:
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43.723333 10.393889
GPS
43.723333 10.393889
GPS
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Date:
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1255-1260 (creation)
Work_DateDisplay
1255-1260 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Late Gothic
Work_StylePeriodDisp lay
Late Gothic
Style Period
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Work Type 1:
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pulpit
Work_Worktype1
pulpit
Work Type 1
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Work Type 2:
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relief (sculpture)
Work_Worktype2
relief (sculpture)
Work Type 2
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Work Type 3:
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sculpture (visual work)
Work_Worktype3
sculpture (visual work)
Work Type 3
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Classification:
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Sculpture and Installations
Work_Classification
Sculpture and Installations
Classification
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Material:
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white and colored marble
Work_MaterialDisplay
white and colored marble
Material
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Technique:
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carving (processes); construction (assembling)
Work_Technique
carving (processes); construction (assembling)
Technique
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Measurements:
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465 cm (height)
Work_MeasurementDisp lay
465 cm (height)
Measurements
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Inscription:
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NICOLA PISANUS
Work_InscriptionDisp lay
NICOLA PISANUS
Inscription
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Relation Work:
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part of Pisa Baptistery
RelationType1_Work_R elatedWork1
part of Pisa Baptistery
Relation Work
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Subjects:
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architecture; New Testament; Jesus Christ
Work_Image_SubjectDi splay
architecture; New Testament; Jesus Christ
Subjects
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Description:
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The baptistery's pulpit bears the signature NICOLA PISANUS and the date 1260 and is his first recorded work. The work constitutes the most accomplished synthesis of French Gothic and Classical elements and incorporates a program of great complexity, using concepts derived from the sermon Civitas Dei, Domus Dei of Federico Visconti, Archbishop of Pisa (reigned 1254-1277), the patron of the pulpit. The pulpit has a complex architecture as well with a variety of triangular, pentagonal, hexagonal, and octagonal forms. Nicola studied classical art including the Roman sarcophagi and Greek vase now in the Camposanto. Vasari credits this work as the beginning of the Renaissance for this reason. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
The baptistery's pulpit bears the signature NICOLA PISANUS and the date 1260 and is his first recorded work. The work constitutes the most accomplished synthesis of French Gothic and Classical elements and incorporates a program of great complexity, using concepts derived from the sermon Civitas Dei, Domus Dei of Federico Visconti, Archbishop of Pisa (reigned 1254-1277), the patron of the pulpit. The pulpit has a complex architecture as well with a variety of triangular, pentagonal, hexagonal, and octagonal forms. Nicola studied classical art including the Roman sarcophagi and Greek vase now in the Camposanto. Vasari credits this work as the beginning of the Renaissance for this reason. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Archivision Adjunct Module C: World Art
LocalCollection
Archivision Adjunct Module C: World Art
Collection
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Identifier:
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6A1-PAN-PBP-A13
Image_OriginalVendor ID
6A1-PAN-PBP-A13
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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