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Collection:
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ADJUNCT MODULE C: WORLD ART
LocalCollection
ADJUNCT MODULE C: WORLD ART
Collection
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Preferred Title:
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Riot in the Galleria
Work_PrefTitle
Riot in the Galleria
Preferred Title
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Image View:
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Detail, the crowd moving
Image_Title
Detail, the crowd moving
Image View
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Creator:
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Umberto Boccioni (Italian painter, 1882-1916)
Agent_Display
Umberto Boccioni (Italian painter, 1882-1916)
Creator
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Location:
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repository: Brera Museum (Milan, Lombardy, Italy) 5056
Work_Location_Type_D isplay
repository: Brera Museum (Milan, Lombardy, Italy) 5056
Location
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Location Note:
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Via Brera 28
Work_LocationNotes
Via Brera 28
Location Note
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GPS:
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45.471944 9.188056
GPS
45.471944 9.188056
GPS
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Date:
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1910 (creation)
Work_DateDisplay
1910 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Futurist; Twentieth century
Work_StylePeriodDisp lay
Futurist; Twentieth century
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil paint on canvas
Work_MaterialDisplay
oil paint on canvas
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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74 cm (height) x 64 cm (width)
Work_MeasurementDisp lay
74 cm (height) x 64 cm (width)
Measurements
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Subjects:
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cityscape; genre; human figure; Galleria Vittorio Emanuele II, Milan; shopping arcade
Work_Image_SubjectDi splay
cityscape; genre; human figure; Galleria Vittorio Emanuele II, Milan; shopping arcade
Subjects
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Description:
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Boccioni’s meeting with Filippo Tommaso Marinetti in late 1909 or early 1910 led him to Futurism, which was proclaimed as a literary movement in February 1909, and was now reborn as a painting movement. In Riot in the Galleria (painted in Milan), executed in the months immediately after his signature of the Technical Manifesto of Futurist Painting (1910), he utilized, and took to an extreme, the Divisionist technique to study the movements of the crowd and to create unprecedented effects of light and dynamism, accentuated by the use of extremely bright complementary colors. (Source: Brera Pinacoteca [website]; http://pinacotecabre ra.org/en/)
Work_Description_Sou rce
Boccioni’s meeting with Filippo Tommaso Marinetti in late 1909 or early 1910 led him to Futurism, which was proclaimed as a literary movement in February 1909, and was now reborn as a painting movement. In Riot in the Galleria (painted in Milan), executed in the months immediately after his signature of the Technical Manifesto of Futurist Painting (1910), he utilized, and took to an extreme, the Divisionist technique to study the movements of the crowd and to create unprecedented effects of light and dynamism, accentuated by the use of extremely bright complementary colors. (Source: Brera Pinacoteca [website]; http://pinacotecabre ra.org/en/)
Description
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Collection:
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Archivision Adjunct Module C: World Art
LocalCollection
Archivision Adjunct Module C: World Art
Collection
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Identifier:
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7A1-BOCCIONI-RG-A02
Image_OriginalVendor ID
7A1-BOCCIONI-RG-A02
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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