Collection:
|
ADJUNCT MODULE C: WORLD ART
LocalCollection
ADJUNCT MODULE C: WORLD ART
Collection
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Preferred Title:
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Christ at the Column
Work_PrefTitle
Christ at the Column
Preferred Title
|
Image View:
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Overall view with frame
Image_Title
Overall view with frame
Image View
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Creator:
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Donato Bramante (Italian painter, 1444-1514)
Agent_Display
Donato Bramante (Italian painter, 1444-1514)
Creator
|
Location:
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repository: Brera Museum (Milan, Lombardy, Italy)
Work_Location_Type_D isplay
repository: Brera Museum (Milan, Lombardy, Italy)
Location
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Location Note:
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Via Brera 28; from Deposito Abbazia di Chiaravalle
Work_LocationNotes
Via Brera 28; from Deposito Abbazia di Chiaravalle
Location Note
|
GPS:
|
45.471944 9.188056
GPS
45.471944 9.188056
GPS
|
Date:
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ca. 1490-1499 (creation)
Work_DateDisplay
ca. 1490-1499 (creation)
Date
|
Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
|
Style Period:
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Renaissance
Work_StylePeriodDisp lay
Renaissance
Style Period
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Work Type 1:
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panel painting
Work_Worktype1
panel painting
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
|
oil paint on wood panel
Work_MaterialDisplay
oil paint on wood panel
Material
|
Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
|
93.7 cm (height) x 62.5 cm (width)
Work_MeasurementDisp lay
93.7 cm (height) x 62.5 cm (width)
Measurements
|
Subjects:
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New Testament; Jesus Christ; Passion; Flagellation
Work_Image_SubjectDi splay
New Testament; Jesus Christ; Passion; Flagellation
Subjects
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Description:
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The one panel painting usually thought to be by Bramante, on the authority of Lomazzo, is the distinguished half-length Christ at the Column (ca. 1490; Milan, Brera), which reveals some familiarity with Venetian art in the clarity and coloristic variation of the skin tones and perhaps also with Ferrarese art in the sinuosity of the contours. The background landscape also shows familiarity with the works of Leonardo. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
The one panel painting usually thought to be by Bramante, on the authority of Lomazzo, is the distinguished half-length Christ at the Column (ca. 1490; Milan, Brera), which reveals some familiarity with Venetian art in the clarity and coloristic variation of the skin tones and perhaps also with Ferrarese art in the sinuosity of the contours. The background landscape also shows familiarity with the works of Leonardo. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
|
Collection:
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Archivision Adjunct Module C: World Art
LocalCollection
Archivision Adjunct Module C: World Art
Collection
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Identifier:
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7A1-BRAMANTE-CTC-A01
Image_OriginalVendor ID
7A1-BRAMANTE-CTC-A01
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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