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Collection:
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ADJUNCT MODULE C: WORLD ART
LocalCollection
ADJUNCT MODULE C: WORLD ART
Collection
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Preferred Title:
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Poplars
Work_PrefTitle
Poplars
Preferred Title
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Alternate Title:
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Les Peupliers
Work_AltTitle
Les Peupliers
Alternate Title
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Image View:
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Overall view in frame
Image_Title
Overall view in frame
Image View
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Creator:
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Paul Cézanne (French painter, 1839-1906)
Agent_Display
Paul Cézanne (French painter, 1839-1906)
Creator
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Location:
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repository: Musée des Beaux-Arts (Lyon, Auvergne-Rhône-Alpes , France) Inv. D 2015.2.1
Work_Location_Type_D isplay
repository: Musée des Beaux-Arts (Lyon, Auvergne-Rhône-Alpes , France) Inv. D 2015.2.1
Location
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Location Note:
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20 Place des Terreaux; On loan from the Musee d'Orsay
Work_LocationNotes
20 Place des Terreaux; On loan from the Musee d'Orsay
Location Note
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GPS:
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45.766846 4.83363
GPS
45.766846 4.83363
GPS
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Date:
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1879-1880 (creation)
Work_DateDisplay
1879-1880 (creation)
Date
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Cultural Context:
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French
Work_Culture
French
Cultural Context
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Style Period:
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Nineteenth century; Post-Impressionist
Work_StylePeriodDisp lay
Nineteenth century; Post-Impressionist
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil on canvas
Work_MaterialDisplay
oil on canvas
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Subjects:
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landscape; trees
Work_Image_SubjectDi splay
landscape; trees
Subjects
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Description:
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Between ca. 1878 and 1882 Cézanne moved away from the style of other Impressionist painters in search of greater structure, where flat areas of color in large, geometric brushstrokes cover the surface of the canvas. Though he considered the study of nature essential to painting, he nevertheless opposed many aspects of the Impressionist aesthetic. Believing color and form to be inseparable, he tried to emphasize structure and solidity in his work, features he thought neglected by Impressionism. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
Between ca. 1878 and 1882 Cézanne moved away from the style of other Impressionist painters in search of greater structure, where flat areas of color in large, geometric brushstrokes cover the surface of the canvas. Though he considered the study of nature essential to painting, he nevertheless opposed many aspects of the Impressionist aesthetic. Believing color and form to be inseparable, he tried to emphasize structure and solidity in his work, features he thought neglected by Impressionism. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Archivision Adjunct Module C: World Art
LocalCollection
Archivision Adjunct Module C: World Art
Collection
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Identifier:
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7A1-CEZANNE-ML-LP-A1
Image_OriginalVendor ID
7A1-CEZANNE-ML-LP-A1
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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