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Collection:
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ADJUNCT MODULE C: WORLD ART
LocalCollection
ADJUNCT MODULE C: WORLD ART
Collection
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Preferred Title:
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Prodigal Son
Work_PrefTitle
Prodigal Son
Preferred Title
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Alternate Title:
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Il figliol prodigo
Work_AltTitle
Il figliol prodigo
Alternate Title
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Image View:
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Overall view with frame
Image_Title
Overall view with frame
Image View
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Creator:
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Giorgio de Chirico (Italian painter, 1888-1978)
Agent_Display
Giorgio de Chirico (Italian painter, 1888-1978)
Creator
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Location:
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repository: Museo del Novecento (Milan, Lombardy, Italy)
Work_Location_Type_D isplay
repository: Museo del Novecento (Milan, Lombardy, Italy)
Location
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Location Note:
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Piazza Duomo, 8
Work_LocationNotes
Piazza Duomo, 8
Location Note
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GPS:
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45.463611 9.190278
GPS
45.463611 9.190278
GPS
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Date:
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1922 (creation)
Work_DateDisplay
1922 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Metaphysical (modern Italian fine arts style and movement); Twentieth century
Work_StylePeriodDisp lay
Metaphysical (modern Italian fine arts style and movement); Twentieth century
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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tempera paint on canvas
Work_MaterialDisplay
tempera paint on canvas
Material
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Technique:
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painting and painting techniques
Work_Technique
painting and painting techniques
Technique
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Subjects:
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abstraction; allegory; Pittura Metafisica
Work_Image_SubjectDi splay
abstraction; allegory; Pittura Metafisica
Subjects
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Description:
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One of de Chirico's "metaphysical" works. Pittura Metafisica’s theoretical basis was formulated through the pages of the journal Valori Plastici in a series of articles stressing the importance of time and memory as generators of the new art, which sought renewal through the use rather than the rejection of history. His work of this period also contained allusions to Roman villas and knights-errant. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
One of de Chirico's "metaphysical" works. Pittura Metafisica’s theoretical basis was formulated through the pages of the journal Valori Plastici in a series of articles stressing the importance of time and memory as generators of the new art, which sought renewal through the use rather than the rejection of history. His work of this period also contained allusions to Roman villas and knights-errant. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Archivision Adjunct Module C: World Art
LocalCollection
Archivision Adjunct Module C: World Art
Collection
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Identifier:
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7A1-CHIRICO-PS-A01
Image_OriginalVendor ID
7A1-CHIRICO-PS-A01
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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