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Collection:
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ADJUNCT MODULE C: WORLD ART
LocalCollection
ADJUNCT MODULE C: WORLD ART
Collection
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Preferred Title:
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Modern Man
Work_PrefTitle
Modern Man
Preferred Title
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Image View:
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Overall view without frame
Image_Title
Overall view without frame
Image View
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Creator:
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James Guy (American painter, 1910-1983)
Agent_Display
James Guy (American painter, 1910-1983)
Creator
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Location:
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repository: Portland Museum of Art (Portland, Maine, United States) 1983.338
Work_Location_Type_D isplay
repository: Portland Museum of Art (Portland, Maine, United States) 1983.338
Location
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Location Note:
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7 Congress Square
Work_LocationNotes
7 Congress Square
Location Note
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GPS:
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43.653611-70.262222
GPS
43.653611-70.262222
GPS
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Date:
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ca. 1941 (creation)
Work_DateDisplay
ca. 1941 (creation)
Date
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Cultural Context:
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American
Work_Culture
American
Cultural Context
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Style Period:
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Surrealist; Twentieth century
Work_StylePeriodDisp lay
Surrealist; Twentieth century
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil paint on canvas
Work_MaterialDisplay
oil paint on canvas
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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30 1/8 in (height) x 25 in (width)
Work_MeasurementDisp lay
30 1/8 in (height) x 25 in (width)
Measurements
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Subjects:
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abstraction; figural; pipe; hat
Work_Image_SubjectDi splay
abstraction; figural; pipe; hat
Subjects
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Description:
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During the decade prior to World War II, James Guy achieved a substantial reputation in the New York art world. He was one of the earliest American exponents of surrealism, adopting it years before the abstract expressionists responded to the aesthetic. Guy used surrealism as a vehicle for social criticism. Here Guy contrasts the duality of a staid businessman with what might lie within. (Source: Portland Museum of Art (PMA) [website]; http://www.portlandm useum.org)
Work_Description_Sou rce
During the decade prior to World War II, James Guy achieved a substantial reputation in the New York art world. He was one of the earliest American exponents of surrealism, adopting it years before the abstract expressionists responded to the aesthetic. Guy used surrealism as a vehicle for social criticism. Here Guy contrasts the duality of a staid businessman with what might lie within. (Source: Portland Museum of Art (PMA) [website]; http://www.portlandm useum.org)
Description
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Collection:
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Archivision Adjunct Module C: World Art
LocalCollection
Archivision Adjunct Module C: World Art
Collection
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Identifier:
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7A1-GUYJ-MM-A01
Image_OriginalVendor ID
7A1-GUYJ-MM-A01
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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