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Collection:
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ADJUNCT MODULE C: WORLD ART
LocalCollection
ADJUNCT MODULE C: WORLD ART
Collection
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Preferred Title:
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Hall of the Mountain King
Work_PrefTitle
Hall of the Mountain King
Preferred Title
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Image View:
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Detail, water at the base of the mountain
Image_Title
Detail, water at the base of the mountain
Image View
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Creator:
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Marsden Hartley (American painter, 1877-1943)
Agent_Display
Marsden Hartley (American painter, 1877-1943)
Creator
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Location:
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repository: Crystal Bridges Museum of American Art (Bentonville, Arkansas, United States)
Work_Location_Type_D isplay
repository: Crystal Bridges Museum of American Art (Bentonville, Arkansas, United States)
Location
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Date:
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ca. 1908-1909 (creation)
Work_DateDisplay
ca. 1908-1909 (creation)
Date
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Cultural Context:
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American
Work_Culture
American
Cultural Context
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Style Period:
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Neo-Impressionist; Twentieth century
Work_StylePeriodDisp lay
Neo-Impressionist; Twentieth century
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil paint on canvas
Work_MaterialDisplay
oil paint on canvas
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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30 in (height) x 30 in (width)
Work_MeasurementDisp lay
30 in (height) x 30 in (width)
Measurements
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Subjects:
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landscape; music; mountains; Neo-Impressionism; Maine
Work_Image_SubjectDi splay
landscape; music; mountains; Neo-Impressionism; Maine
Subjects
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Description:
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Part of Exhibit "Marsden Hartley's Maine," July 8-November 12, 2017. From 1900 Hartley regularly spent his summers in Maine, a state for which he maintained an enduring passion. At the end of autumn 1907 he moved from Maine to Boston, MA. By this stage his painting was progressing from an American form of Impressionism to a type of Neo-Impressionism. The grouping of seasonal themed Maine landscapes into "songs" signaled their association with Whitman's "Song of Myself." Like Hartley's Songs, this evokes music, taking its title from Edvard Grieg's "In the Hall of the Mountain King" from Peer Gynt. (Source: Cassidy, Donna M., Elizabeth Finch, Randall R. Griffey; Marsden Hartley's Maine, New Haven CT: Yale University Press, 2017 (9781588396136))
Work_Description_Sou rce
Part of Exhibit "Marsden Hartley's Maine," July 8-November 12, 2017. From 1900 Hartley regularly spent his summers in Maine, a state for which he maintained an enduring passion. At the end of autumn 1907 he moved from Maine to Boston, MA. By this stage his painting was progressing from an American form of Impressionism to a type of Neo-Impressionism. The grouping of seasonal themed Maine landscapes into "songs" signaled their association with Whitman's "Song of Myself." Like Hartley's Songs, this evokes music, taking its title from Edvard Grieg's "In the Hall of the Mountain King" from Peer Gynt. (Source: Cassidy, Donna M., Elizabeth Finch, Randall R. Griffey; Marsden Hartley's Maine, New Haven CT: Yale University Press, 2017 (9781588396136))
Description
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Collection:
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Archivision Adjunct Module C: World Art
LocalCollection
Archivision Adjunct Module C: World Art
Collection
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Identifier:
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7A1-HARTLEY-CA-HM-A0 2
Image_OriginalVendor ID
7A1-HARTLEY-CA-HM-A0 2
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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