|
Collection:
|
|
ADJUNCT MODULE C: WORLD ART
LocalCollection
ADJUNCT MODULE C: WORLD ART
Collection
|
|
Preferred Title:
|
|
Newburyport Marsh
Work_PrefTitle
Newburyport Marsh
Preferred Title
|
|
Image View:
|
|
Overall view without frame; view after a storm
Image_Title
Overall view without frame; view after a storm
Image View
|
|
Creator:
|
|
Martin Johnson Heade (American painter, 1819-1904)
Agent_Display
Martin Johnson Heade (American painter, 1819-1904)
Creator
|
|
Location:
|
|
repository: Portland Museum of Art (Portland, Maine, United States) 4.2013.3
Work_Location_Type_D isplay
repository: Portland Museum of Art (Portland, Maine, United States) 4.2013.3
Location
|
|
Location Note:
|
|
7 Congress Square
Work_LocationNotes
7 Congress Square
Location Note
|
|
GPS:
|
|
43.653611-70.262222
GPS
43.653611-70.262222
GPS
|
|
Date:
|
|
1875-1885 (creation)
Work_DateDisplay
1875-1885 (creation)
Date
|
|
Cultural Context:
|
|
American
Work_Culture
American
Cultural Context
|
|
Style Period:
|
|
Luminist; Nineteenth century
Work_StylePeriodDisp lay
Luminist; Nineteenth century
Style Period
|
|
Work Type 1:
|
|
painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
|
|
Classification:
|
|
Paintings
Work_Classification
Paintings
Classification
|
|
Material:
|
|
oil paint on canvas
Work_MaterialDisplay
oil paint on canvas
Material
|
|
Technique:
|
|
oil painting (technique)
Work_Technique
oil painting (technique)
Technique
|
|
Subjects:
|
|
landscape; estuary; salt marsh; hay stacks; Rhode Island coast
Work_Image_SubjectDi splay
landscape; estuary; salt marsh; hay stacks; Rhode Island coast
Subjects
|
|
Description:
|
|
On long term loan from the Collection of Walter B. and Marcia F. Goldfarb. As with Fitz Hugh Lane, whose career suggests points of contact with Heade, his work was meticulous and restrained in handling and without painterly effects. Only in the early 1860s did Heade turn to a subject well suited to his artistic personality: the salt marshes of Newburyport, RI. He worked with a limited range of pictorial elements; haystacks, clouds, sky, water and a flatly receding earth to create a precise spatial structure within which to explore the fleeting light effects of a coastal environment. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
On long term loan from the Collection of Walter B. and Marcia F. Goldfarb. As with Fitz Hugh Lane, whose career suggests points of contact with Heade, his work was meticulous and restrained in handling and without painterly effects. Only in the early 1860s did Heade turn to a subject well suited to his artistic personality: the salt marshes of Newburyport, RI. He worked with a limited range of pictorial elements; haystacks, clouds, sky, water and a flatly receding earth to create a precise spatial structure within which to explore the fleeting light effects of a coastal environment. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
|
|
Collection:
|
|
Archivision Adjunct Module C: World Art
LocalCollection
Archivision Adjunct Module C: World Art
Collection
|
|
Identifier:
|
|
7A1-HEADE-NM-A01
Image_OriginalVendor ID
7A1-HEADE-NM-A01
Identifier
|
|
Rights:
|
|
© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
|
