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Collection:
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ADJUNCT MODULE C: WORLD ART
LocalCollection
ADJUNCT MODULE C: WORLD ART
Collection
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Preferred Title:
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Breakwater at Camaret
Work_PrefTitle
Breakwater at Camaret
Preferred Title
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Alternate Title:
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Camaret, la digue
Work_AltTitle
Camaret, la digue
Alternate Title
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Image View:
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Detail of the fishing village beyond the breakwater wall
Image_Title
Detail of the fishing village beyond the breakwater wall
Image View
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Creator:
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Maximilien Luce (French painter, 1858-1941)
Agent_Display
Maximilien Luce (French painter, 1858-1941)
Creator
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Location:
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repository: Portland Museum of Art (Portland, Maine, United States) 15.1996.2
Work_Location_Type_D isplay
repository: Portland Museum of Art (Portland, Maine, United States) 15.1996.2
Location
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Location Note:
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7 Congress Square
Work_LocationNotes
7 Congress Square
Location Note
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GPS:
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43.653611-70.262222
GPS
43.653611-70.262222
GPS
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Date:
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1895 (creation)
Work_DateDisplay
1895 (creation)
Date
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Cultural Context:
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French
Work_Culture
French
Cultural Context
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Style Period:
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Neo-Impressionist; Nineteenth century
Work_StylePeriodDisp lay
Neo-Impressionist; Nineteenth century
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil paint on canvas
Work_MaterialDisplay
oil paint on canvas
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Subjects:
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landscape; seascape; Boats and boating; Brittany coastline; fishing village; harbor
Work_Image_SubjectDi splay
landscape; seascape; Boats and boating; Brittany coastline; fishing village; harbor
Subjects
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Description:
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Luce painted as a Neo-Impressionist, attempting to apply separate strokes of pure color in accordance with the divisionist technique developed by Seurat. Unlike most of the Neo-Impressionists, Luce continued to favor urban subjects throughout his career. However, this is a product of a trip to Camaret in Brittany in 1893. Part of the Isabelle and Scott Black Collection and is currently on long-term loan to the Portland Museum of Art. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
Luce painted as a Neo-Impressionist, attempting to apply separate strokes of pure color in accordance with the divisionist technique developed by Seurat. Unlike most of the Neo-Impressionists, Luce continued to favor urban subjects throughout his career. However, this is a product of a trip to Camaret in Brittany in 1893. Part of the Isabelle and Scott Black Collection and is currently on long-term loan to the Portland Museum of Art. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Archivision Adjunct Module C: World Art
LocalCollection
Archivision Adjunct Module C: World Art
Collection
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Identifier:
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7A1-LUCEM-CLD-A02
Image_OriginalVendor ID
7A1-LUCEM-CLD-A02
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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