Collection:
|
ADJUNCT MODULE C: WORLD ART
LocalCollection
ADJUNCT MODULE C: WORLD ART
Collection
|
Preferred Title:
|
Lamentation over the Dead Christ
Work_PrefTitle
Lamentation over the Dead Christ
Preferred Title
|
Alternate Title:
|
Dead Christ and Three Mourners
Work_AltTitle
Dead Christ and Three Mourners
Alternate Title
|
Image View:
|
Overall view without frame
Image_Title
Overall view without frame
Image View
|
Creator:
|
Andrea Mantegna (Italian painter, ca. 1431-1506)
Agent_Display
Andrea Mantegna (Italian painter, ca. 1431-1506)
Creator
|
Location:
|
repository: Brera Museum (Milan, Lombardy, Italy) 352
Work_Location_Type_D isplay
repository: Brera Museum (Milan, Lombardy, Italy) 352
Location
|
Location Note:
|
Via Brera 28
Work_LocationNotes
Via Brera 28
Location Note
|
GPS:
|
45.471944 9.188056
GPS
45.471944 9.188056
GPS
|
Date:
|
1470-1474 (creation)
Work_DateDisplay
1470-1474 (creation)
Date
|
Cultural Context:
|
Italian
Work_Culture
Italian
Cultural Context
|
Style Period:
|
Renaissance
Work_StylePeriodDisp lay
Renaissance
Style Period
|
Work Type 1:
|
painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
|
Classification:
|
Paintings
Work_Classification
Paintings
Classification
|
Material:
|
tempera on canvas
Work_MaterialDisplay
tempera on canvas
Material
|
Technique:
|
painting and painting techniques
Work_Technique
painting and painting techniques
Technique
|
Measurements:
|
68 cm (height) x 81 cm (width)
Work_MeasurementDisp lay
68 cm (height) x 81 cm (width)
Measurements
|
Subjects:
|
death or burial; funerary art; New Testament; Jesus Christ
Work_Image_SubjectDi splay
death or burial; funerary art; New Testament; Jesus Christ
Subjects
|
Description:
|
The most convincing hypothesis identifies the painting in Brera with the "foreshortened Christ" found in Mantegna’s studio at the time of his death, sold by his son Ludovico to Cardinal Sigismondo Gonzaga and inventoried among the property of the lords of Mantua in 1627. The iconography of the work, probably intended for the artist’s private devotion, refers to the compositional scheme of the Lamentation over the Dead Christ, in which mourners are gathered around the body prepared for burial, laid out on the stone of unction and already anointed with perfumes. (Source: Brera Pinacoteca [website]; http://pinacotecabre ra.org/en/)
Work_Description_Sou rce
The most convincing hypothesis identifies the painting in Brera with the "foreshortened Christ" found in Mantegna’s studio at the time of his death, sold by his son Ludovico to Cardinal Sigismondo Gonzaga and inventoried among the property of the lords of Mantua in 1627. The iconography of the work, probably intended for the artist’s private devotion, refers to the compositional scheme of the Lamentation over the Dead Christ, in which mourners are gathered around the body prepared for burial, laid out on the stone of unction and already anointed with perfumes. (Source: Brera Pinacoteca [website]; http://pinacotecabre ra.org/en/)
Description
|
Collection:
|
Archivision Adjunct Module C: World Art
LocalCollection
Archivision Adjunct Module C: World Art
Collection
|
Identifier:
|
7A1-MA-LODC-A01
Image_OriginalVendor ID
7A1-MA-LODC-A01
Identifier
|
Rights:
|
© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
|