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Collection:
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ADJUNCT MODULE C: WORLD ART
LocalCollection
ADJUNCT MODULE C: WORLD ART
Collection
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Preferred Title:
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Annunication
Work_PrefTitle
Annunication
Preferred Title
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Image View:
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Overall view from front
Image_Title
Overall view from front
Image View
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Creator:
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Arturo Martini (Italian sculptor, 1889-1947)
Agent_Display
Arturo Martini (Italian sculptor, 1889-1947)
Creator
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Location:
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repository: Museo del Novecento (Milan, Lombardy, Italy)
Work_Location_Type_D isplay
repository: Museo del Novecento (Milan, Lombardy, Italy)
Location
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Location Note:
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Piazza Duomo, 8
Work_LocationNotes
Piazza Duomo, 8
Location Note
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GPS:
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45.463611 9.190278
GPS
45.463611 9.190278
GPS
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Date:
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1933 (creation)
Work_DateDisplay
1933 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Twentieth century
Work_StylePeriodDisp lay
Twentieth century
Style Period
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Work Type 1:
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sculpture (visual work)
Work_Worktype1
sculpture (visual work)
Work Type 1
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Classification:
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Sculpture and Installations
Work_Classification
Sculpture and Installations
Classification
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Material:
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Vicenza stone
Work_MaterialDisplay
Vicenza stone
Material
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Technique:
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carving (processes)
Work_Technique
carving (processes)
Technique
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Measurements:
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275 cm (height) x 86 cm (width) x 68 cm (depth)
Work_MeasurementDisp lay
275 cm (height) x 86 cm (width) x 68 cm (depth)
Measurements
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Subjects:
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allegory; human figure; New Testament; Angels; Mary, Blessed Virgin, Saint
Work_Image_SubjectDi splay
allegory; human figure; New Testament; Angels; Mary, Blessed Virgin, Saint
Subjects
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Description:
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Martini was a leading Italian sculptor and ceramist between World War I and II. He moved between a very vigorous (almost ancient Roman) classicism and modernism. He was associated with public sculpture in fascist Italy, but later renounced his medium altogether in the book La scultura lingua morta (1945), feeling that the war had corrupted his art. (Source: Wikipedia; http://en.wikipedia. org/wiki/Main_Page)
Work_Description_Sou rce
Martini was a leading Italian sculptor and ceramist between World War I and II. He moved between a very vigorous (almost ancient Roman) classicism and modernism. He was associated with public sculpture in fascist Italy, but later renounced his medium altogether in the book La scultura lingua morta (1945), feeling that the war had corrupted his art. (Source: Wikipedia; http://en.wikipedia. org/wiki/Main_Page)
Description
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Collection:
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Archivision Adjunct Module C: World Art
LocalCollection
Archivision Adjunct Module C: World Art
Collection
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Identifier:
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7A1-MARTINIM-AN-A01
Image_OriginalVendor ID
7A1-MARTINIM-AN-A01
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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