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Collection:
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ADJUNCT MODULE C: WORLD ART
LocalCollection
ADJUNCT MODULE C: WORLD ART
Collection
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Preferred Title:
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Morning, Outskirts of Venice
Work_PrefTitle
Morning, Outskirts of Venice
Preferred Title
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Image View:
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Detail, couple on a dock with Venice and St. Marks in the distance
Image_Title
Detail, couple on a dock with Venice and St. Marks in the distance
Image View
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Creator:
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Thomas Moran (American painter, 1837-1926)
Agent_Display
Thomas Moran (American painter, 1837-1926)
Creator
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Location:
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repository: Colby College Museum of Art (Waterville, Maine, United States) 2013.209
Work_Location_Type_D isplay
repository: Colby College Museum of Art (Waterville, Maine, United States) 2013.209
Location
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Location Note:
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5600 Mayflower Hill; The Lunder Collection
Work_LocationNotes
5600 Mayflower Hill; The Lunder Collection
Location Note
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GPS:
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44.565-69.660833
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Date:
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1907 (creation)
Work_DateDisplay
1907 (creation)
Date
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Cultural Context:
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American
Work_Culture
American
Cultural Context
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Style Period:
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Twentieth century
Work_StylePeriodDisp lay
Twentieth century
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil paint on canvas
Work_MaterialDisplay
oil paint on canvas
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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20 in (height) x 30 in (width)
Work_MeasurementDisp lay
20 in (height) x 30 in (width)
Measurements
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Subjects:
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cityscape; seascape; Sun Rising and setting; Venice
Work_Image_SubjectDi splay
cityscape; seascape; Sun Rising and setting; Venice
Subjects
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Description:
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Following visits in 1886 and 1890, the range of themes Moran turned to regularly included Venice. The luminosity and tonal qualities in that body of work underscored Moran’s links to the methods of Turner, which he had studied during an 1862 trip to England. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
Following visits in 1886 and 1890, the range of themes Moran turned to regularly included Venice. The luminosity and tonal qualities in that body of work underscored Moran’s links to the methods of Turner, which he had studied during an 1862 trip to England. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Archivision Adjunct Module C: World Art
LocalCollection
Archivision Adjunct Module C: World Art
Collection
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Identifier:
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7A1-MORAN-CA-MOV-A03
Image_OriginalVendor ID
7A1-MORAN-CA-MOV-A03
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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