Collection:
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ADJUNCT MODULE C: WORLD ART
LocalCollection
ADJUNCT MODULE C: WORLD ART
Collection
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Preferred Title:
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Streaked Red Owl
Work_PrefTitle
Streaked Red Owl
Preferred Title
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Alternate Title:
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Le Hibou rouge strié
Work_AltTitle
Le Hibou rouge strié
Alternate Title
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Image View:
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Overall view from front (long side)
Image_Title
Overall view from front (long side)
Image View
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Creator:
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Pablo Picasso (Spanish sculptor, 1881-1973)
Agent_Display
Pablo Picasso (Spanish sculptor, 1881-1973)
Creator
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Location:
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repository: Musée des Beaux-Arts (Lyon, Auvergne-Rhône-Alpes , France) Inv. 1954-14
Work_Location_Type_D isplay
repository: Musée des Beaux-Arts (Lyon, Auvergne-Rhône-Alpes , France) Inv. 1954-14
Location
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Location Note:
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20 Place des Terreaux
Work_LocationNotes
20 Place des Terreaux
Location Note
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GPS:
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45.766846 4.83363
GPS
45.766846 4.83363
GPS
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Date:
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1953 (creation)
Work_DateDisplay
1953 (creation)
Date
|
Cultural Context:
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French
Work_Culture
French
Cultural Context
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Style Period:
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Twentieth century
Work_StylePeriodDisp lay
Twentieth century
Style Period
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Work Type 1:
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sculpture (visual work)
Work_Worktype1
sculpture (visual work)
Work Type 1
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Work Type 2:
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figurine
Work_Worktype2
figurine
Work Type 2
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Classification:
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Sculpture and Installations
Work_Classification
Sculpture and Installations
Classification
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Material:
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painted terracotta
Work_MaterialDisplay
painted terracotta
Material
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Technique:
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modeling (forming); painting and painting techniques
Work_Technique
modeling (forming); painting and painting techniques
Technique
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Subjects:
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abstraction; animal; birds; owls
Work_Image_SubjectDi splay
abstraction; animal; birds; owls
Subjects
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Description:
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Picasso rarely employed stone but used carving techniques for both plaster and clay. This piece resembles a wood carving, which he had done very early (ca. 1906) in his career. He worked in clay particularly after 1947, when he began to use the Madoura potteries in Vallauris. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
Picasso rarely employed stone but used carving techniques for both plaster and clay. This piece resembles a wood carving, which he had done very early (ca. 1906) in his career. He worked in clay particularly after 1947, when he began to use the Madoura potteries in Vallauris. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Archivision Adjunct Module C: World Art
LocalCollection
Archivision Adjunct Module C: World Art
Collection
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Identifier:
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7A1-PICASSO-ML-HRS-A 01
Image_OriginalVendor ID
7A1-PICASSO-ML-HRS-A 01
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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