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Collection:
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ADJUNCT MODULE C: WORLD ART
LocalCollection
ADJUNCT MODULE C: WORLD ART
Collection
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Preferred Title:
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Untitled [assemblage]
Work_PrefTitle
Untitled [assemblage]
Preferred Title
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Image View:
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Overall view from front
Image_Title
Overall view from front
Image View
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Creator:
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Robert Rauschenberg (American painter, 1925-2008)
Agent_Display
Robert Rauschenberg (American painter, 1925-2008)
Creator
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Location:
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repository: Colby College Museum of Art (Waterville, Maine, United States) 1999.011
Work_Location_Type_D isplay
repository: Colby College Museum of Art (Waterville, Maine, United States) 1999.011
Location
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Location Note:
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5600 Mayflower Hill
Work_LocationNotes
5600 Mayflower Hill
Location Note
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GPS:
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44.565-69.660833
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Date:
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1962 (creation)
Work_DateDisplay
1962 (creation)
Date
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Cultural Context:
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American
Work_Culture
American
Cultural Context
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Style Period:
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Twentieth century
Work_StylePeriodDisp lay
Twentieth century
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Work Type 2:
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assemblage (sculpture)
Work_Worktype2
assemblage (sculpture)
Work Type 2
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil paint; printed paper; fabric; metal on canvas
Work_MaterialDisplay
oil paint; printed paper; fabric; metal on canvas
Material
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Technique:
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collage (technique); construction (assembling); painting and painting techniques
Work_Technique
collage (technique); construction (assembling); painting and painting techniques
Technique
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Measurements:
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95.89 cm (height) x 127 cm (width)
Work_MeasurementDisp lay
95.89 cm (height) x 127 cm (width)
Measurements
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Subjects:
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abstraction; contemporary (1960 to present); found objects; collage; assemblage
Work_Image_SubjectDi splay
abstraction; contemporary (1960 to present); found objects; collage; assemblage
Subjects
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Description:
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"I think a painting is more like the real world if it’s made out of the real world," Robert Rauschenberg once said. In the mid-1950s, true to this sentiment, he devised a genre of works he called "combines", wall-mounted and freestanding hybrids of painting and assemblage. Affixed to the canvas is metal ductwork, the wired corner of a 1961 New York license plate, cloth, and printed paper. (Source: Colby Museum of Art [website]; http://www.colby.edu /museum/)
Work_Description_Sou rce
"I think a painting is more like the real world if it’s made out of the real world," Robert Rauschenberg once said. In the mid-1950s, true to this sentiment, he devised a genre of works he called "combines", wall-mounted and freestanding hybrids of painting and assemblage. Affixed to the canvas is metal ductwork, the wired corner of a 1961 New York license plate, cloth, and printed paper. (Source: Colby Museum of Art [website]; http://www.colby.edu /museum/)
Description
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Collection:
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Archivision Adjunct Module C: World Art
LocalCollection
Archivision Adjunct Module C: World Art
Collection
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Identifier:
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7A1-RAUSCHEN-CA-U-A0 1
Image_OriginalVendor ID
7A1-RAUSCHEN-CA-U-A0 1
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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