Collection:
|
ADJUNCT MODULE C: WORLD ART
LocalCollection
ADJUNCT MODULE C: WORLD ART
Collection
|
Preferred Title:
|
Palazzo Altemps: Hall of the Duchess Frescoes
Work_PrefTitle
Palazzo Altemps: Hall of the Duchess Frescoes
Preferred Title
|
Alternate Title:
|
Palazzo Altemps: Sala della duchessa
Work_AltTitle
Palazzo Altemps: Sala della duchessa
Alternate Title
|
Image View:
|
Galatea on shell chariot pulled by dolphins, detail, right side, putti
Image_Title
Galatea on shell chariot pulled by dolphins, detail, right side, putti
Image View
|
Creator:
|
Giovanni Francesco Romanelli (Italian painter, 1610-1662)
Agent_Display
Giovanni Francesco Romanelli (Italian painter, 1610-1662)
Creator
|
Location:
|
site: Palazzo Altemps (Rome, Lazio, Italy)
Work_Location_Type_D isplay
site: Palazzo Altemps (Rome, Lazio, Italy)
Location
|
Location Note:
|
Piazza di Sant'Apollinare, 46
Work_LocationNotes
Piazza di Sant'Apollinare, 46
Location Note
|
GPS:
|
41.900935 12.473053
GPS
41.900935 12.473053
GPS
|
Date:
|
ca. 1637-1646 (creation)
Work_DateDisplay
ca. 1637-1646 (creation)
Date
|
Cultural Context:
|
Italian
Work_Culture
Italian
Cultural Context
|
Style Period:
|
Seventeenth century
Work_StylePeriodDisp lay
Seventeenth century
Style Period
|
Work Type 1:
|
fresco (painting)
Work_Worktype1
fresco (painting)
Work Type 1
|
Classification:
|
Paintings
Work_Classification
Paintings
Classification
|
Material:
|
pigment on plaster (fresco)
Work_MaterialDisplay
pigment on plaster (fresco)
Material
|
Technique:
|
fresco painting (technique)
Work_Technique
fresco painting (technique)
Technique
|
Subjects:
|
mythology (Classical); Galatea; dolphins
Work_Image_SubjectDi splay
mythology (Classical); Galatea; dolphins
Subjects
|
Description:
|
Romanelli was the pupil first of Domenichino, then of Pietro da Cortona; his work also shows the influence of Bernini (in some of whose projects he became involved) and of Poussin. Extensive Barberini patronage evidently made Romanelli quite a distinguished figure in Rome. The frescoed mythological scenes in friezes in the Palazzo Altemps was an important commission. This is the private living room of the Duchess Isabella Lante Altemps, who married the Duke Pietro in 1636. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
Romanelli was the pupil first of Domenichino, then of Pietro da Cortona; his work also shows the influence of Bernini (in some of whose projects he became involved) and of Poussin. Extensive Barberini patronage evidently made Romanelli quite a distinguished figure in Rome. The frescoed mythological scenes in friezes in the Palazzo Altemps was an important commission. This is the private living room of the Duchess Isabella Lante Altemps, who married the Duke Pietro in 1636. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
|
Collection:
|
Archivision Adjunct Module C: World Art
LocalCollection
Archivision Adjunct Module C: World Art
Collection
|
Identifier:
|
7A1-ROMANEL-PA-HD-A0 6
Image_OriginalVendor ID
7A1-ROMANEL-PA-HD-A0 6
Identifier
|
Rights:
|
© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
|