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Collection:
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ADJUNCT MODULE C: WORLD ART
LocalCollection
ADJUNCT MODULE C: WORLD ART
Collection
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Preferred Title:
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Marriage of the Virgin
Work_PrefTitle
Marriage of the Virgin
Preferred Title
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Alternate Title:
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Sposalizio
Work_AltTitle
Sposalizio
Alternate Title
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Image View:
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Overall view in situ in the gallery
Image_Title
Overall view in situ in the gallery
Image View
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Creator:
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Raphael (Italian painter, 1483-1520)
Agent_Display
Raphael (Italian painter, 1483-1520)
Creator
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Location:
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repository: Brera Museum (Milan, Lombardy, Italy) 336
Work_Location_Type_D isplay
repository: Brera Museum (Milan, Lombardy, Italy) 336
Location
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Location Note:
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Via Brera 28
Work_LocationNotes
Via Brera 28
Location Note
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GPS:
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45.471944 9.188056
GPS
45.471944 9.188056
GPS
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Date:
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1504 (creation)
Work_DateDisplay
1504 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Renaissance; Sixteenth century
Work_StylePeriodDisp lay
Renaissance; Sixteenth century
Style Period
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Work Type 1:
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panel painting
Work_Worktype1
panel painting
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil paint on wood panel
Work_MaterialDisplay
oil paint on wood panel
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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170 cm (height) x 118 cm (width)
Work_MeasurementDisp lay
170 cm (height) x 118 cm (width)
Measurements
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Inscription:
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RAPHAEL VRBINAS M DIIII
Work_InscriptionDisp lay
RAPHAEL VRBINAS M DIIII
Inscription
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Subjects:
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architecture; New Testament; saints; Joseph, Saint; Mary, Blessed Virgin, Saint
Work_Image_SubjectDi splay
architecture; New Testament; saints; Joseph, Saint; Mary, Blessed Virgin, Saint
Subjects
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Description:
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Raphael is said by Vasari to have been a pupil of Perugino, the master of Pinturicchio, who about 1500 was at the height of his powers. This work was moved to the Brera from the Church of San Francesco in Città di Castello in 1805. It is influenced by an altarpiece of the same subject by Perugino. Infrared reflectography reveals a dense set of lines converging on the temple door. These lines define the image perspective system, fully following that of "On the Perspective of Painting" by Piero della Francesca. The temple has been painted with such a precision that scholars have speculated the existence of a wood model. (Source: Brera Pinacoteca [website]; http://pinacotecabre ra.org/en/)
Work_Description_Sou rce
Raphael is said by Vasari to have been a pupil of Perugino, the master of Pinturicchio, who about 1500 was at the height of his powers. This work was moved to the Brera from the Church of San Francesco in Città di Castello in 1805. It is influenced by an altarpiece of the same subject by Perugino. Infrared reflectography reveals a dense set of lines converging on the temple door. These lines define the image perspective system, fully following that of "On the Perspective of Painting" by Piero della Francesca. The temple has been painted with such a precision that scholars have speculated the existence of a wood model. (Source: Brera Pinacoteca [website]; http://pinacotecabre ra.org/en/)
Description
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Collection:
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Archivision Adjunct Module C: World Art
LocalCollection
Archivision Adjunct Module C: World Art
Collection
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Identifier:
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7A1-RS-MOTV-A10
Image_OriginalVendor ID
7A1-RS-MOTV-A10
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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