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Collection:
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ADJUNCT MODULE C: WORLD ART
LocalCollection
ADJUNCT MODULE C: WORLD ART
Collection
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Preferred Title:
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Still Life with Fruit Basket
Work_PrefTitle
Still Life with Fruit Basket
Preferred Title
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Alternate Title:
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Natura morta con la fruttiera
Work_AltTitle
Natura morta con la fruttiera
Alternate Title
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Image View:
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Overall view with frame
Image_Title
Overall view with frame
Image View
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Creator:
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Gino Severini (Italian painter, 1883-1966)
Agent_Display
Gino Severini (Italian painter, 1883-1966)
Creator
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Location:
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repository: Brera Museum (Milan, Lombardy, Italy) 5467
Work_Location_Type_D isplay
repository: Brera Museum (Milan, Lombardy, Italy) 5467
Location
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Location Note:
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Via Brera 28
Work_LocationNotes
Via Brera 28
Location Note
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GPS:
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45.471944 9.188056
GPS
45.471944 9.188056
GPS
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Date:
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1918 (creation)
Work_DateDisplay
1918 (creation)
Date
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Cultural Context:
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Italian
Work_Culture
Italian
Cultural Context
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Style Period:
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Cubist; Twentieth century
Work_StylePeriodDisp lay
Cubist; Twentieth century
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil paint on canvas
Work_MaterialDisplay
oil paint on canvas
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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61 cm (height) x 72 cm (width)
Work_MeasurementDisp lay
61 cm (height) x 72 cm (width)
Measurements
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Subjects:
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abstraction; still life
Work_Image_SubjectDi splay
abstraction; still life
Subjects
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Description:
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In 1916, Severini's work turned towards Cubism. His version of Cubism most closely resembled Synthetic Cubism, an extension of constructive values of space through fragmentation and recomposition. In his memoirs, Severini recalls a house in Aix-Les-Bains he shared with his family, covered with a wallpaper which he reproduced in this painting. (Source: Brera Pinacoteca [website]; http://pinacotecabre ra.org/en/)
Work_Description_Sou rce
In 1916, Severini's work turned towards Cubism. His version of Cubism most closely resembled Synthetic Cubism, an extension of constructive values of space through fragmentation and recomposition. In his memoirs, Severini recalls a house in Aix-Les-Bains he shared with his family, covered with a wallpaper which he reproduced in this painting. (Source: Brera Pinacoteca [website]; http://pinacotecabre ra.org/en/)
Description
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Collection:
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Archivision Adjunct Module C: World Art
LocalCollection
Archivision Adjunct Module C: World Art
Collection
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Identifier:
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7A1-SEVERINI-SLFB-A0 1
Image_OriginalVendor ID
7A1-SEVERINI-SLFB-A0 1
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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