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Collection:
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ADJUNCT MODULE C: WORLD ART
LocalCollection
ADJUNCT MODULE C: WORLD ART
Collection
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Preferred Title:
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Samois, The Barge, Morning
Work_PrefTitle
Samois, The Barge, Morning
Preferred Title
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Alternate Title:
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Samois, La Berge, matin
Work_AltTitle
Samois, La Berge, matin
Alternate Title
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Image View:
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Overall view without frame
Image_Title
Overall view without frame
Image View
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Creator:
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Paul Signac (French painter, 1863-1935)
Agent_Display
Paul Signac (French painter, 1863-1935)
Creator
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Location:
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exhibition: Musée Matisse (Nice, Provence-Alpes-Côte d'Azur, France)
Work_Location_Type_D isplay
exhibition: Musée Matisse (Nice, Provence-Alpes-Côte d'Azur, France)
Location
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Location Note:
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164, Avenue des Arènes de Cimiez (exhibtion); Private collection
Work_LocationNotes
164, Avenue des Arènes de Cimiez (exhibtion); Private collection
Location Note
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GPS:
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43.719444 7.276111
GPS
43.719444 7.276111
GPS
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Date:
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1901 (creation)
Work_DateDisplay
1901 (creation)
Date
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Cultural Context:
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French
Work_Culture
French
Cultural Context
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Style Period:
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Neo-Impressionist
Work_StylePeriodDisp lay
Neo-Impressionist
Style Period
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Work Type 1:
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painting (visual work)
Work_Worktype1
painting (visual work)
Work Type 1
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Classification:
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Paintings
Work_Classification
Paintings
Classification
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Material:
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oil paint on canvas
Work_MaterialDisplay
oil paint on canvas
Material
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Technique:
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oil painting (technique)
Work_Technique
oil painting (technique)
Technique
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Measurements:
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65 cm (height) x 81.2 cm (width)
Work_MeasurementDisp lay
65 cm (height) x 81.2 cm (width)
Measurements
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Subjects:
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landscape; Rivers; Sun Rising and setting; barge; riverbank; sunrise
Work_Image_SubjectDi splay
landscape; Rivers; Sun Rising and setting; barge; riverbank; sunrise
Subjects
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Description:
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Private collection, signed and dated 'P.Signac 1901' (lower right) sold at Christie's London February 6, 2013. By 1885 Seurat had encouraged Signac to adopt a Divisionist handling of paint; by 1886 they were both using the pointillist brushstroke. Signac wrote a book on Neo-Impressionism which was influential; the Fauves, and especially Matisse, who in 1904 was working with Signac at St Tropez, found in it the sanction for a freedom of color that they would accentuate even more. (Source: Grove Art Online; http://www.oxfordart online.com/)
Work_Description_Sou rce
Private collection, signed and dated 'P.Signac 1901' (lower right) sold at Christie's London February 6, 2013. By 1885 Seurat had encouraged Signac to adopt a Divisionist handling of paint; by 1886 they were both using the pointillist brushstroke. Signac wrote a book on Neo-Impressionism which was influential; the Fauves, and especially Matisse, who in 1904 was working with Signac at St Tropez, found in it the sanction for a freedom of color that they would accentuate even more. (Source: Grove Art Online; http://www.oxfordart online.com/)
Description
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Collection:
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Archivision Adjunct Module C: World Art
LocalCollection
Archivision Adjunct Module C: World Art
Collection
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Identifier:
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7A1-SIGNAC-SBM-A01
Image_OriginalVendor ID
7A1-SIGNAC-SBM-A01
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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