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Collection:
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ADJUNCT MODULE C: WORLD ART
LocalCollection
ADJUNCT MODULE C: WORLD ART
Collection
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Preferred Title:
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She-Scape
Work_PrefTitle
She-Scape
Preferred Title
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Image View:
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Overall view from front
Image_Title
Overall view from front
Image View
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Creator:
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Michael Snow (Canadian sculptor, born 1928)
Agent_Display
Michael Snow (Canadian sculptor, born 1928)
Creator
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Location:
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repository: Musée national des beaux-arts du Québec (Québec, Québec, Canada) 2007.03
Work_Location_Type_D isplay
repository: Musée national des beaux-arts du Québec (Québec, Québec, Canada) 2007.03
Location
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Location Note:
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National Battlefields Park; 179 Grande Allée Ouest; Pierre Lassonde Pavilion
Work_LocationNotes
National Battlefields Park; 179 Grande Allée Ouest; Pierre Lassonde Pavilion
Location Note
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GPS:
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46.801106-71.225064
GPS
46.801106-71.225064
GPS
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Date:
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1961 (creation)
Work_DateDisplay
1961 (creation)
Date
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Cultural Context:
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Canadian
Work_Culture
Canadian
Cultural Context
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Style Period:
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Twentieth century
Work_StylePeriodDisp lay
Twentieth century
Style Period
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Work Type 1:
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sculpture (visual work)
Work_Worktype1
sculpture (visual work)
Work Type 1
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Classification:
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Sculpture and Installations
Work_Classification
Sculpture and Installations
Classification
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Material:
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oil paint on plywood; wood; metal
Work_MaterialDisplay
oil paint on plywood; wood; metal
Material
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Technique:
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construction (assembling); oil painting (technique)
Work_Technique
construction (assembling); oil painting (technique)
Technique
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Measurements:
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169 cm (height) x 64.3 cm (width) x 58.5 cm (depth)
Work_MeasurementDisp lay
169 cm (height) x 64.3 cm (width) x 58.5 cm (depth)
Measurements
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Subjects:
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abstraction; contemporary (1960 to present); human figure
Work_Image_SubjectDi splay
abstraction; contemporary (1960 to present); human figure
Subjects
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Description:
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Before Snow moved to New York in 1961, he began a long-term project that for six years would be his trademark: the Walking Woman. Martha Langford in Michael Snow: Life & Work describes this work as employing a single form that offered an infinite number of creative possibilities, the figure itself perceived variably as “a positive (a presence to be looked at) and a negative (an absence to be looked through). (Source: Wikipedia; http://en.wikipedia. org/wiki/Main_Page)
Work_Description_Sou rce
Before Snow moved to New York in 1961, he began a long-term project that for six years would be his trademark: the Walking Woman. Martha Langford in Michael Snow: Life & Work describes this work as employing a single form that offered an infinite number of creative possibilities, the figure itself perceived variably as “a positive (a presence to be looked at) and a negative (an absence to be looked through). (Source: Wikipedia; http://en.wikipedia. org/wiki/Main_Page)
Description
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Collection:
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Archivision Adjunct Module C: World Art
LocalCollection
Archivision Adjunct Module C: World Art
Collection
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Identifier:
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7A1-SNOWM-SS-A01
Image_OriginalVendor ID
7A1-SNOWM-SS-A01
Identifier
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Rights:
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© Scott Gilchrist, Archivision, Inc.
Image_Rights
© Scott Gilchrist, Archivision, Inc.
Rights
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